World War, 1914-1918 -- United States -- Juvenile fiction; Young women -- Societies and clubs -- Juvenile fiction
“Stone gate-posts, beds of old-time posies, backed by
cobble-stone walls with hedges of green, and a little white
house, like a keeper’s lodge, peered curiously out of the silver
shadows of the rising moon as we whizzed up the roadway to Seven
Pillars, and came to a stop under the _porte-cochère_ of a
large, white mansion, set on a green knoll, facing the rocky
heights of far-distant mountains. Here square glass lanterns
threw yellowish gleams on the wide, low veranda, with its seven
magic pillars,—round, fluted columns reaching high above the
second-story windows, as with lofty stateliness they held the
pointed dome above the portico.
“Passing through the quaint, white-columned doorway, with its
tiny panes of glass and shiny brass knocker, we stood, dazed and
tired, in a broad, gloomy hall, where, in the flare from a
snapping log-fire, numerous trophies of the hunt eyed us
glassily, as we were welcomed by my cousin, Janet Page, and her
sister, Cynthia.
“Janet is a winsome thing. We have already become great chums,
although she is a few years older than your lonesome. She is
short and plump, with a white, satiny skin, and apple-blossom
cheeks that make you feel that you want to kiss the pink of
them. Her eyes fairly beam with kindliness as she looks at you
from under her short, wavy brown hair. She’s a pacifist and a
suffragist, and aims to be a farmerette. Although she has
decided ideas on the war and voting questions, they are rather
vague on farming, but she goes about saying, ‘God speed the plow
and the woman who drives it.’
“Cynthia Loretto Stillwell—she always insists on the Loretto,
as it is the sole heritage from some Italian ancestor, famed for
his noble birth and deeds of valor—is not my own cousin, as she
is the daughter of my uncle’s wife, who was a widow when they
married. She is distinctively tall, somewhat angular, with sharp
features, a drooping, discontented mouth, and a sallow skin
which she endeavors to hide by dabs of white and pink powder.
Her eyes are large and dark, and would be handsome, if they did
not repel you at times by their hard, metallic glitter. Her
coiffure is a wonderful combination of braids, curls, and puffs,
and made me wonder how she did it. She greeted us effusively,
but somehow its warmth seemed cold and artificial, and—well, I
don’t believe I’m going to like her.
Public-domain text, read in full here on John Shaqi.
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