It would be tedious to enter into a detail of the antiquities, paintings, and other curiosities which Bruce observed in the course of his journey, as they have been visited by thousands of Englishmen, and have been minutely described by travellers of every possible description. It is only necessary to state that Bruce made very minute memoranda respecting every remarkable place or object which he visited;[3] that his catalogue of paintings is very extensive; and that his notes indicate the variety of his knowledge, the correctness of his judgment, and the exalted feelings with which he visited those faded scenes of Roman glory, which, like Byron's "Greece," may be justly compared to a corpse from which a noble spirit has departed. While at Naples, he received from slaves, redeemed from the province of Constantia, descriptions of magnificent ruins which they had seen while traversing that country in the camp of their master, the bey; and as it was Bruce's intention not only to take accurate drawings of these, but also to endeavour to make a map of the country, with observations on its natural history, and on the manners and language of its inhabitants, he justly concluded that the packing and repacking, mounting and rectifying the instruments alone would wholly occupy one man; and he therefore wrote to several of his correspondents, requesting them to procure him an assistant. For a long time no one appeared willing to share the fatigues of such journeys; but at last a young man was engaged who was then studying architecture at Rome. He was a native of Bologna, named Luigi Balugani. Besides the assistance of this person, Bruce provided himself in England with two camera obscuras, the largest of which was made of separate pieces, folding compactly on hinges: its body was a hexagon of six feet diameter, with a conical top; in this instrument, as in a summer-house, the draughtsman sat unseen, and in executing views of ruined architecture, could do more work in an hour than the readiest artist, without such assistance, in seven. After having passed eight months at Naples, Rome, Bologna, and Florence,[4] during which time he most attentively visited the antiquities, paintings, cabinets, &c., availing himself of every opportunity to improve his skill in drawing, he at last received his despatches from England. Proceeding immediately to Leghorn, Bruce embarked on board the Montreal man-of-war, and arrived at Algiers on the 15th of March, 1763. FOOTNOTES: [1] The Bruces of Kinnaird trace their pedigree to that Norman house which once occupied the throne of Scotland. [2] See M. Florian's History of the Moors of Spain, published by Harper & Brothers, 1840. [3] It appears, from sketches found among his papers, that he intended to write a dissertation on the ancient and modern state of Rome.