The Life and Genius of Nathaniel HawthorneStearns, Frank Preston
General
The Life and Genius of Nathaniel Hawthorne
Stearns, Frank Preston
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
The introduction of Margaret Fuller’s name in that place comes abruptly
on the reader, and momentarily dispels the illusion of the tale. Was
Hawthorne conscious of the undercurrent of relationship, which he had
already formulated in his mind, between Priscilla and Zenobia; or what
is more likely, did he make the comparison in order to lead his readers
away from any conceptions they might have formed in regard to the
original of his heroine? If the latter supposition be true, he certainly
was not very successful, for in either case it is evident that Margaret
Fuller was prominent in his thoughts at the time he wrote those two
chapters.
Hawthorne’s idea of her, however, should not be accepted as a finality.
What Emerson and other friends have said concerning her should also be
considered in order to obtain a just impression of a woman who combined
more varied qualities than perhaps any other person of that
time. Hawthorne says of Zenobia, that she was naturally a stump
oratoress,--rather an awkward expression for him--and that “her mind was
full of weeds.” Margaret Fuller was a natural orator, and her mind was
full of many subjects in which Hawthorne could take little interest. She
was a revolutionary character, a sort of female Garibaldi, who attacked
old Puritan traditions with a two-edged sword; she won victories for
liberalism, but left confusion behind her. Like all such characters, she
made friends and enemies wherever she went. She sometimes gave offence
by hasty impulsive utterances, but more frequently by keenly penetrating
arguments for the various causes which she espoused. Only a woman could
deliver such telling shots.
Lowell, who was fond of an argument himself, did not like her better
than Hawthorne did. There may be some truth in what he says in “The
Fable for Critics,” that the expression of her face seemed to suggest a
life-long familiarity with the “infinite soul”; but Margaret Fuller was
sound at heart, and when she talked on those subjects which interested
her, no one could be more self-forgetful or thoroughly in earnest. At
times, she seemed like an inspired prophetess, and if she had lived
two thousand years earlier, she might have been remembered as a sibyl.
[Footnote: See Appendix B.]
Public-domain text, read in full here on John Shaqi.
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