Through his kind friend Mr. Bennoch, he fell in with a worthy whom it would have been just as well to have avoided--the proverbial-philosophy poet, Martin Farquhar Tupper; not a genuine poet, nor considered as such by trustworthy critics, but such a good imitation, that he persuaded himself and a large portion of the British public, including Queen Victoria, that he was one. Hawthorne has given an account of his visit to this man, [Footnote: J. Hawthorne, ii. 114.] second only in value to his description of Tennyson; for it is quite as important for us to recognize the deficiencies of the one, as it is to know the true appearance of the other. It is an unsparing study of human nature, but if a man places himself on a pedestal for all people to gaze at, it is just this and nothing more that he has to expect. Hawthorne represents him as a kindly, domestic, affectionate, bustling little man, who kept on bustling with his hands and tongue, even while he was seated--a man of no dignity of character or perception of his deficiency of it. This all does well enough, but when Hawthorne says, “I liked him, and laughed in my sleeve at him, and was utterly weary of him; for certainly he is the ass of asses,” we feel that he has gone too far, and suspect that there was some unpleasantness connected with the occasion, of which we are not informed. The word “ass,” as applied to a human being, is not current in good literature, unless low comedy be entitled to that position, and coming from Hawthorne, of all writers, it seems like an oath from the mouth of a woman. Tupper, who was quite proud of his philanthropy, was also much of an abolitionist, and he may have trodden on Hawthorne’s metaphysical toes half a dozen times, without being aware of what he was doing. Altogether, it seems like rather an ill return for Tupper’s hospitality; but Hawthorne himself did not intend it for publication, and on the whole one does not regret that it has been given to the public. We have been, however, anticipating the order of events.