The Life and Genius of Nathaniel HawthorneStearns, Frank Preston
General
The Life and Genius of Nathaniel Hawthorne
Stearns, Frank Preston
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
During the summer of 1854, the Hawthorne family made a number of
unimportant expeditions, visiting mediaeval abbeys and ruinous
castles,--especially one to Chester and Eton Hall, which was not quite
worth the fees they paid to the janitors. An ancient walled city is much
of a novelty to an American for the first time, but, having seen one,
you have seen them all, and Chester Cathedral does not stand high in
English architecture. On September 14, O’Sullivan appeared again, and
they all went into the Welsh mountains, where they examined the old
fortresses of Rhyl and Conway, which were built by Edward Longshanks to
hold the Welshmen in check. Those relics of the feudal system are very
impressive, not only on account of their solidity and the great human
forces which they represent, but from a peculiar beauty of their own,
which modern fortifications do not possess at all. They seem to belong
to the ground they stand on, and the people who live about them look
upon them as cherished landmarks. They are the monuments of an heroic
age, and Hawthorne’s interest in them was characteristic of his nature.
O’Sullivan returned to Lisbon early in October, and on the 5th of
that month, Hawthorne found himself obliged to make a speech at an
entertainment on board a merchant vessel called the “James Barnes,”
which had been built in Boston for a Liverpool firm of ship-owners.
He considered this the most serious portion of his official duty,--the
necessity of making after-dinner speeches at the Mayor’s or other
public tables. He writes several pages on the subject in a humorously
complainant tone, congratulating himself that on the present occasion
he has succeeded admirably, for he has really said nothing, and that
is precisely what he intended to do. After-dinner speeches are like
soap-bubbles: they are made of nothing, signify nothing, float for a
moment in the air, attract a momentary attention, and then disappear.
But the difficulty is, to make an apparent something out of nothing, to
say nothing that will offend anybody, and to say something that will be
different from what others say. It is truly a hard situation in which to
place even a very talented man, and, as Longfellow once remarked, those
were most fortunate who made their speeches first, and could then enjoy
their dinner, while their successors were writhing in agony. However,
there are those who like it, and having practised it to perfection,
can do it better than anything else. Hawthorne analyzes his sensations,
after finishing his speech, with rare self-perception. “After sitting
down, I was conscious of an enjoyment in speaking to a public assembly,
and felt as if I should like to rise again. It is something like being
under fire,--a sort of excitement, not exactly pleasure, but more
piquant than most pleasures.” Was it President Jackson, or Senator
Benton, who said that fighting a duel was very much like making one’s
maiden speech?
Public-domain text, read in full here on John Shaqi.
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