The Life and Genius of Nathaniel HawthorneStearns, Frank Preston
General
The Life and Genius of Nathaniel Hawthorne
Stearns, Frank Preston
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
There is a court-house on Federal Street, built in Webster’s time, of
hard cold granite in the Grecian fashion of the day, not of the white
translucent marble with which the Greeks would have built it. Is it
the court-house where Webster made his celebrated argument in the White
murder case, or was that court-house torn down and a plough run through
the ground where it stood, as Webster affirmed that it ought to be?
Salem people were curiously reticent in regard to that trial, and
fashionable society there did not like Webster the better for having the
two Knapps convicted.
Much more valuable than such associations is William Hunt’s full-length
portrait of Chief Justice Shaw, which hangs over the judge’s bench in
the front court-room. “When I look at your honor I see that you are
homely, but when I think of you I know that you are great.” it is
this combination of an unprepossessing physique with rare dignity of
character which Hunt has represented in what many consider the best
of American portraits. It is perhaps too much in the sketchy style of
Velasquez, but admirable for all that.
Time has dealt kindly with Salem, in effacing all memorials of the
witchcraft persecution, except a picturesque old house at the corner of
North and Essex Streets, where there are said to have been preliminary
examinations for witchcraft,--a matter which concerns us now but
slightly. The youthful associations of a genius are valuable to us on
account of the influence which they may be supposed to have had on his
early life, but associations which have no determining consequences may
as well be neglected. The hill where those poor martyrs to superstition
were executed may be easily seen on the left of the city, as you roll in
on the train from Boston. It is part of a ridge which rises between the
Concord and Charles Rivers and extends to Cape Ann, where it dives into
the ocean, to reappear again like a school of krakens, or other marine
monsters, in the Isles of Shoals.
New England has not the fertile soil of many sections of the United
States, and its racking climate is proverbial, but it is blessed with
the two decided advantages of pure water and fine scenery. There is no
more beautiful section of its coast than that between Salem Harbor and
Salisbury Beach, long stretches of smooth sand alternating with bold
rocky promontories. A summer drive from Swampscott to Marblehead reminds
one even of the Bay of Naples (without Vesuvius), and the wilder coast
of Cape Ann, with its dark pines, red-roofed cottages, and sparkling
surf, is quite as delightful. William Hunt went there in the last sad
years of his life to paint “sunshine,” as he said; and Whittier has
given us poetic touches of the inland scenery in elevated verse:
“Fleecy clouds casting their shadows
Over uplands and meadows;
And country roads winding as roads will,
Here to a ferry, there to a mill.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account