‘For my own part, I approve not of those who neglect either their authors for their grammar, or their grammar for their authors. The grammar rules should be few and sound; all the rest should be picked up from reading the best authors, or in conversation with good Latin scholars.... I should be more inclined to agree with you, if an instance could be given of a man who had learnt to write Latin without the aid of a grammar. I have with me here Ulrich von Hutten,[46] an exquisite Latin scholar, of gentle birth and good breeding. I should recommend you to discuss the subject with him. I will come to you the day after to-morrow, health permitting, for I am still poorly, otherwise this letter would have been in my own handwriting, instead of being dictated. Most honoured Sir, farewell. ‘Louvain, June 21, 1520.’ An account of George Halluin would be incomplete without a list of his works, which are, (1) A translation into French of the [Greek: Enkômion Môrias], written by Erasmus, and dedicated to Sir Thomas More. (2) A treatise _De Restauratione Linguæ Latinæ_. (3) _On the Coronation of Emperors._ (4) A work on Music. (5) A treatise against Luther. (6) Notes on Virgil.[47] This list shows the wide range of his studies, and also implies no small amount of literary toil, for George Halluin was one who loved to polish and mature his work. As Despauteres puts it, ‘nothing would satisfy him that fell short of perfection.’ Such was the man who must have exercised the greatest influence over Busbecq’s earlier years. The latter was born in 1522. George Halluin did not die till 1536, when Busbecq had left his home for the University of Louvain.