The artistic object bears the marks of its method of manufacture. The
part that rests upon the bottom of the cavity is crusted over with
earthy particles; all the rest is of a glossy polish. Owing to its
weight, owing also to the pressure exercised when the Scarab
manipulates it, the pear, which is still quite soft, has become soiled
with grains of earth on the side that touches the floor of the
workshop; on the remainder, which is the larger part, it retains the
delicate finish which the insect was able to give it.
The inferences to be drawn from these minutely-observed details are
obvious: the pear is no turner’s work; it has not been obtained by any
sort of rolling on the ground of the spacious studio, for then it would
have been soiled with earth all over. Besides, its projecting neck
precludes this mode of fabrication. It has not even been turned from
one side to the other, as is loudly proclaimed by its unblemished upper
surface. The Scarab, therefore, has moulded it where it lies, without
turning or shifting it in any way; she has modelled it with little taps
of her broad battledores, just as when we saw her model her ball in the
daylight.
Let us now return to the usual case, in the open. The materials then
come from a distance and are introduced into the burrow in the form of
a ball covered with soil on every part of its surface. What will the
insect do with this sphere which contains the paunch of the future pear
ready-made? The answer would present no serious difficulty if, limiting
my ambition to the results obtained, I sacrificed the means employed.
It would be enough for me, as I have often done, to capture the mother
in her burrow with her ball and carry one and all home, to my animal
laboratory, to watch events at first hand.
A large glass jar is filled with earth, sifted, moistened and heaped to
the desired depth. I place the mother and her beloved pill, which she
holds embraced, on the surface of this artificial soil. I stow away the
apparatus in a half-light and wait. My patience is not very long tried.
Urged by the labour of the ovaries, the insect resumes its interrupted
work.
In certain cases, I see it, still on the surface, destroying its ball,
ripping it up, cutting it to pieces, shredding it. This is not in the
least the act of one in despair who, finding herself a captive, breaks
the cherished object in her bewilderment. It is an act of wise
hygienics. A scrupulous inspection of the morsel gathered in haste,
among lawless competitors, is often necessary, for supervision is not
always easy on the harvesting-spot itself, in the midst of thieves and
robbers. The ball may contain a blend of little Onthophagi, of
Aphodians, which have not been noticed in the heat of acquisition.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account