The arrangements made are as follows: I once more take the large glass
jar. I cover the bottom with a layer of earth a few inches in
thickness. To obtain the transparent workshop necessary for my
observations, I fix a tripod on the earthy layer and, on this support,
a decimetre [10] high, I place a round deal slab of the same diameter
as the jar. The glass-walled chamber thus marked out will represent the
roomy crypt in which the insect works. In the edge of the deal slab, a
hollow is cut, large enough to permit of the passage of the Sacred
Beetle and her ball. Lastly, above this screen, I heap a layer of earth
as deep as the jar allows.
During the operation, a portion of the upper earth falls through the
opening and slips down to the lower space in a wide inclined plane.
This was a circumstance which I had foreseen and which was
indispensable to my plan. By means of this slope, the artist, when she
has found the communicating trap-door, will make for the transparent
den which I have arranged for her. She will make for it, of course,
only provided that she be in perfect darkness. I therefore contrive a
cardboard cylinder, closed at the top, and place the glass apparatus
inside it. Left standing where it is, the opaque sheath will provide
the dusk which the Scarab demands; suddenly raised, it will give the
light which I require on my side.
Things being thus arranged, I go in search of a mother lately removed
from her natural lodging with her ball. A morning is enough to provide
me with what I need. I place the mother and her ball on the surface of
the upper layer of earth; I cap the apparatus with its cardboard
sheath; and I wait. The insect, stubborn at its work so long as the egg
is not deposited, will dig itself a new burrow, dragging its ball with
it as it goes; it will pass through the upper layer of earth, which is
not sufficiently thick; it will come upon the deal board, an obstacle
similar to the broken stones that often bar its passage in the course
of its normal excavations; it will investigate the cause of the
impediment and, finding the opening, will descend through this
trap-door to the lower compartment, which, being free and roomy, will
represent to the insect the crypt whence I have just removed it. Thus
prophesies my foresight. But all this takes time; and I must wait for
the morrow to satisfy my impatient curiosity.
The hour has come: let us go and see. The study-door was left open
yesterday: the mere sound of the door-handle might stop my distrustful
worker. By way of greater precaution, before entering, I put on silent
slippers. And——whoosh! The cylinder is removed. Capital! My
expectations are fully justified.
Public-domain text, read in full here on John Shaqi.
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