——She has not forgot the name, cried my father, half opening the
door?——No, no, said the curate, with a tone of intelligence.——And the
child is better, cried _Susannah._——And how does your mistress? As
well, said _Susannah_, as can be expected.—Pish! said my father, the
button of his breeches slipping out of the button-hole—So that whether
the interjection was levelled at _Susannah_, or the button-hole—whether
Pish was an interjection of contempt or an interjection of modesty, is
a doubt, and must be a doubt till I shall have time to write the three
following favourite chapters, that is, my chapter of _chamber-maids_,
my chapter of _pishes_, and my chapter of _button-holes._
All the light I am able to give the reader at present is this, that the
moment my father cried Pish! he whisk’d himself about—and with his
breeches held up by one hand, and his night-gown thrown across the arm
of the other, he turned along the gallery to bed, something slower than
he came.
C H A P. L
I WISH I could write a chapter upon sleep.
A fitter occasion could never have presented itself, than what this
moment offers, when all the curtains of the family are drawn—the
candles put out—and no creature’s eyes are open but a single one, for
the other has been shut these twenty years, of my mother’s nurse.
It is a fine subject.
And yet, as fine as it is, I would undertake to write a dozen chapters
upon button-holes, both quicker and with more fame, than a single
chapter upon this.
Button-holes! there is something lively in the very idea of ’em——and
trust me, when I get amongst ’em——You gentry with great beards——look as
grave as you will——I’ll make merry work with my button-holes—I shall
have ’em all to myself—’tis a maiden subject—I shall run foul of no
man’s wisdom or fine sayings in it.
But for sleep—I know I shall make nothing of it before I begin—I am no
dab at your fine sayings in the first place—and in the next, I cannot
for my soul set a grave face upon a bad matter, and tell the world—’tis
the refuge of the unfortunate—the enfranchisement of the prisoner—the
downy lap of the hopeless, the weary, and the broken-hearted; nor could
I set out with a lye in my mouth, by affirming, that of all the soft
and delicious functions of our nature, by which the great Author of it,
in his bounty, has been pleased to recompence the sufferings wherewith
his justice and his good pleasure has wearied us——that this is the
chiefest (I know pleasures worth ten of it); or what a happiness it is
to man, when the anxieties and passions of the day are over, and he
lies down upon his back, that his soul shall be so seated within him,
that whichever way she turns her eyes, the heavens shall look calm and
sweet above her—no desire—or fear—or doubt that troubles the air, nor
any difficulty past, present, or to come, that the imagination may not
pass over without offence, in that sweet secession.
Public-domain text, read in full here on John Shaqi.
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