The Life and Works of Friedrich SchillerThomas, Calvin
General
The Life and Works of Friedrich Schiller
Thomas, Calvin
Schiller, Friedrich, 1759-1805
It was noted casually in the preceding chapter that rumor began to be
occupied with speculations about Schiller's 'Tell' before he had
seriously thought of writing a play on the subject. In the summer of
1797 Goethe had revisited Switzerland and brought back with him the idea
of a narrative poem about William Tell. He discussed the matter with
Schiller, incidentally telling him much about the Forest Cantons.
Possibly he may have suggested, in the presence of a mutual friend, that
the theme had dramatic possibilities,--which would account sufficiently
for the aforesaid rumor. Finding his supposed plan the subject of
curious gossip, Schiller was led to look more closely into the subject.
He read Tschudi's 'Chronicon' and found it Homeric and Herodotean in its
simple straightforwardness. The legend fascinated him and he began to
see in it the material of a popular drama that should take the
theatrical world by storm. He was eager for such a triumph, and the more
so because 'The Bride of Messina', as staged by Iffland in Berlin, had
met only with an equivocal success: many were pleased, but there was a
plenty of adverse comment. Iffland was now the director of the Royal
Prussian Theater, and thus in a position to serve the interests of
Schiller, whom he devotedly admired. It was therefore worth while for a
man who had chosen to be a dramatic poet, and whose income depended upon
his popularity, to forego further experimentation with unfamiliar
art-forms and set about supplying that which would interest average
human nature.
Work began in the spring of 1803 and proceeded very steadily during the
ensuing months. The letters of the period express unbounded confidence
in the nascent play. It was to be a 'powerful thing which should shake
the theaters of Germany', and a 'genuine folk-play for the entire
public'. Honest Tschudi continued to be the great source, but other
writers were read and excerpted. Schiller took infinite pains with his
local color, noting down from the books all sorts of minutiae that might
aid his imagination. Take for illustration the following jottings from
Fäsi and Schleuchzer, two of his subsidiary authorities:
Public-domain text, read in full here on John Shaqi.
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