The life and works of Sir Charles BarryBarry, Alfred
General
The life and works of Sir Charles Barry
Barry, Alfred
Architects -- Great Britain -- Biography; Barry, Charles, 1795-1860
His father was a stationer of great respectability and some wealth,[2]
as is seen by the fact that he supplied, in the course of his business,
the materials used at the Government Stationery Office. His mother died
in 1798, when he was a little more than three years old; but her place
was supplied (so far as a mother’s place can be) by the care and
affection of his stepmother, Sarah, to whom his father was married
shortly after, and to whom, at his death in 1805, he left the care of
his children, and of the business which was to support them. Most
thoroughly did she fulfil the charge, and reap her due reward of respect
and gratitude. Of the whole family he alone, even from his childhood,
manifested artistic taste and capacity, and chose for himself, in spite
of all difficulties, a new path in life. These difficulties were then
far greater than they would be now, in a less stationary condition of
society, with greater facilities for change and travel, and greater
opportunities of artistic and general education. There was little in his
home life to foster any high aspirations, although perhaps its
wholesome atmosphere of honesty and regularity, of steady industry and
“habits of business,” supplied a corrective influence much needed by an
enthusiastic and artistic temperament.
He had little advantage of education. He went with his brothers to
various private schools, such as schools then were. The first seems to
have been a mere preparatory school; of the second, the only account
preserved is that the “master paid little attention to it, being very
dissolute, and absenting himself for weeks together;” and the last
school, though perhaps rather better than the rest, was apparently one
of those which attempted only mechanical teaching and severe discipline.
Education, in the highest sense of the word, seems hardly to have been
dreamt of. He carried away from it little except a superficial knowledge
of English, a good proficiency in arithmetic, and a remarkably beautiful
handwriting.
The account of his early days speaks of him as merely a warm-hearted and
spirited boy, handsome and engaging in appearance, not very studious,
full of fun, and by no means averse to mischief. His only remarkable
talent was his taste for drawing; in this he was taught by a most
incompetent man, and his best practice was in caricatures, especially of
his drawing-master. The imperfection of his early training he always
felt and regretted, in spite of his zealous efforts to supply its
deficiencies. For, not to speak of the external difficulties which it
threw in his way, it is obvious enough that his impulsive disposition,
quick observation, and susceptible mind, especially needed the bracing
and strengthening influence of a good education.
Public-domain text, read in full here on John Shaqi.
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