The life and works of Sir Charles BarryBarry, Alfred
General
The life and works of Sir Charles Barry
Barry, Alfred
Architects -- Great Britain -- Biography; Barry, Charles, 1795-1860
This being the case, the matter slept, until, some years afterwards (in
1853), it became evident that the National Gallery must be either
extended or removed. Against the notion of moving it out of the way to
South Kensington, entertained by many, and favoured by His Royal
Highness the late Prince Consort, Sir Charles most strongly protested,
and he ventured (as a Member of the Royal Commission of 1851) to address
a detailed letter to His Royal Highness, containing an elaborate
counter-scheme. This letter is printed (by permission) in the Appendix,
both for the sake of the intrinsic importance of its suggestions, and as
a specimen of his official correspondence.
Its substance was as follows: After stating forcibly the objection which
he conceived to exist to the proposed concentration at South Kensington,
he proceeded first to develope a plan for the formation of the “British
Museum of Art and Literature” on the site of the present British Museum
in Great Russell Street, by the alterations already referred to, which
had previously been submitted to the Government. It may be remarked that
it was based on a principle, analogous to that on which he had advocated
the removal of the Natural History collections. It seemed to him that
the works of art of all ages should fitly be viewed together, that the
“National Gallery” was chronologically a sequel to the Gallery of
Antiquities. The rudest efforts of imitative art, the works of Assyrian,
Egyptian, Grecian, and Roman antiquity, the schools of art of mediæval
and modern Europe, all seemed to form one great whole. He would have
united them locally, as they are connected theoretically. Accordingly,
removing the Natural History collections as before, he proposed to raise
the whole suite of rooms assigned to them, to re-roof and re-light them,
and so to form a range of galleries, excellently adapted for pictures
and sculpture, and capable of containing the national collection for
many years to come. This scheme, or some scheme like it, he at all times
strongly advocated. It had certainly much to recommend it in abstract
principle; he endeavoured, not unsuccessfully, to prove that it could be
carried out gradually and systematically, without enormous outlay and
without public inconvenience.
He next proceeded to urge the scheme, already referred to, for the
transference of the Natural History collections to South Kensington, in
connection with zoological and botanical gardens; and he would have
united it to a “National Gallery of Science” in its various practical
applications, with museums, laboratories, and the like.
Public-domain text, read in full here on John Shaqi.
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