It represents an imaginary moment relative to the war carried on by the
Florentines against Pisa: and exhibits a numerous group of warriors,
roused from their bathing in the Arno, by the sudden signal of a trumpet
and rushing to arms. This composition may without exaggeration be said
to personify with unexampled variety that motion, which Agasias and
Theon embodied in single figures: in imagining this transient moment
from a state of relaxation to a state of energy, the ideas of motion, to
use the bold figure of Dante, seem to have showered into the artist's
mind. From the chief, nearly placed in the centre, who precedes, and
whose voice accompanies the trumpet, every age of human agility, every
attitude, every feature of alarm, haste, hurry, exertion, eagerness,
burst into so many rays, like sparks flying from the hammer. Many have
reached, some boldly step, some have leaped on the rocky shore; here two
arms emerging from the water grapple with the rock, there two hands cry
for help, and their companions bend over or rush on to assist them;
often imitated, but inimitable is the ardent feature of the grim veteran
whose every sinew labours to force over the dripping limbs his clothes,
whilst gnashing he pushes the foot through the rending garment. He is
contrasted by the slender elegance of a half averted youth, who, though
eagerly buckling the armour to his thigh, methodizes haste; another
swings the high-raised hauberk on his shoulder, whilst one who seems a
leader, mindless of dress, ready for combat, and with brandished spear,
overturns a third, who crouched to grasp a weapon--one naked himself,
buckles on the mail of his companion, and he, turned toward the enemy,
seems to stamp impatiently the ground.--Experience and rage, old vigour,
young velocity, expanded or contracted, vie in exertions of energy. Yet
in this scene of tumult one motive animates the whole, eagerness to
engage with subordination to command; this preserves the dignity of
action, and from a straggling rabble changes the figures to men whose
legitimate contest interests our wishes.
Public-domain text, read in full here on John Shaqi.
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