The Life, Crime, and Capture of John Wilkes BoothTownsend, George Alfred
History
The Life, Crime, and Capture of John Wilkes Booth
Townsend, George Alfred
Assassins -- United States -- Biography; Booth, John Wilkes, 1838-1865; Lincoln, Abraham, 1809-1865 -- Assassination
Its freestone columns were draped in black, and all the windows were
funereal. The ancient reception-room was half closed, and the famous
East room, which is approached by a spacious hall, had been reserved for
the obsequies. There are none present here but a few silent attendants
of the late owner of the republican palace. Deeply ensconced in the
white satin stuffing of his coffin, the President lies like one asleep.
The broad, high, beautiful room is like the varnished interior of a
vault. The frescoed ceiling wears the national shield, some pointed
vases filled with flowers and fruit, and three emblazonings of gilt
pendant from which are shrouded chandeliers. A purplish gray is the
prevailing tint of the ceiling. The cornice is silver white, set off by
a velvet crimson. The wall paper is gold and red, broken by eight lofty
mirrors, which are chastely margined with black and faced with fleece.
Their imperfect surfaces reflect the lofty catafalque, an open canopy of
solemn alapaca, lined with tasteful satin of creamish lead, looped at
the curving roof and dropping to the four corners in half transparent
tapestry. Beneath the roof, the half light shines upon a stage of fresh
and fragrant flowers, up-bearing a long, high coffin. White lace of pure
silver pendant from the border throws a mild shimmer upon the solid
silver tracery hinges and emblazonings. A cross of lilies stands at the
head, an anchor of roses at the foot. The lid is drawn back to show the
face and bosom, and on the coffin top are heather, precious flowers, and
sprigs of green. This catafalque, or in plain words, this coffin set
upon a platform and canopied, has around it a sufficient space of
Brussels carpet, and on three sides of this there are raised steps
covered with black, on which the honored visitors are to stand.
The fourth side is bare, save of a single row of chairs some twenty in
number, on which the reporters are to sit. The odor of the room is fresh
and healthy; the shade is solemn, without being oppressive. All is rich,
simple, and spacious, and in such sort as any king might wish to lie.
Approach and look at the dead man.
Public-domain text, read in full here on John Shaqi.
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