it is monotonous in the extreme--very ugly for the most part, and remarkable only as a gymnastic feat; sleight of loins, so to speak. These are, however, no doubt, unfavourable specimens; I shall see the best of the kind in Keneh at the house of the Consul, who has come all the way here from that place to invite me thereto. _Friday, 6th._--Went to the palace and temples of Medinet Haboo, with which I was delighted beyond my expectation. What pleased me most, and was an entire surprise to me, was a bit of purely secular architecture--the remains of a royal residence, with its towers flanking the great entrance, its windows of various shapes, balconies, semicircular crenelations, outer wall; in fact, identically such a building as one sees occasionally in Egyptian sculptures, and, curiously enough, as if it were a portrait of it, on the walls of the very temple to which this palace leads. The temple, too (the large one), interested me extremely from the wonderful preservation of the coloured decoration in parts of it; one really gathers an excellent idea of the original effect, and a most brilliant and magnificent (though barbarous) effect it must have been. The columns in the great hall here are of what, for want of a better word, I shall call the "ninepin" pattern; and I think on the whole I prefer it to the bell-capped pattern; because, besides its character and massive strength, there is no suggestion in it (as in the other) of the Doric order, with which comparison is obviously dangerous. As far as I can observe, there is no trace of colour on any of the propylæa, but the pylon is always richly decorated and highly coloured. This decorative importance given to the door must have had a very striking effect, and reminds me of the same peculiarity in the dwellings of Upper Egypt.