DEAR FRIEND,--Yesterday evening I received your letter from Florence, and answer at once, partly to tell you how delighted I am at the result of the consultation with Quarfe, as also at your comfort and well-being, and partly because this part of your letter has greatly roused my curiosity for a second, which shall also tell me something about Vienna, Verona, and Florence. At the same time, however, I want to make use of a pause in my work to tell you that the first three coloured contours are completed. To the painting I dedicated all my small skill, and would have died in order to secure that the drawing and composition should produce a life-like effect; I believe also that these pictures will look like frescoes in their surroundings. Some time after this Leighton wrote to Mrs. Pattison the following letter, which proves that to the end he retained his great affection for Eduard von Steinle. This friend and master died in 1886, but whether Leighton made this inquiry before or after that date I do not know, as his letter is not dated:-- DEAR MRS. PATTISON,--I saw a paragraph not long ago in the _Academy_ which concerned me deeply; it did not _say_, but it implied that my dear old friend and master, Ed. Steinle (professor at Frankfurt a/M) is dead. Did you by chance write the note? and do you know when or how he died, if he be indeed dead? His wife has not written to me. I am anxious to have some certainty in the matter. (Influenced) "--for good far beyond all others by Steinle, a noble-minded, single-hearted artist, _s'il en fut_ ... Steinle's is the indelible seal." In making any estimate of Leighton's character these words should ever be remembered. They prove how deeply rooted were those feelings on which his principles were grafted. These words were no mere outlet for youthful enthusiasm and affection, but were noted with reference to an account of his life about to be written for publication; therefore we may consider them to be a deliberate statement made for a purpose, when he had reached the zenith of his fame and was already President of the Academy. The design by Steinle here produced, called _Der Winter_, in which the artist has drawn his own portrait when old, throws a light on the mind and nature of Leighton's master, whose influence on him for good was greater "far beyond all others." Written on the drawing are these lines, penned by Steinle:-- Giunto è gia 'l corso della vita mia, Che tempestoso mar per fragil barca Al comun porto ov 'a render si varca Giunto ragion d'ogni opera trista e pia. Indi l'affettuosa fantasia Che l'arte si fece idola e monarca Conosco ben quant 'era d'error carca Ch' errore è ciò che l'uom quaggiù desia. . . . . . . I pensier miei già de' miei danni lieti Che fian se s'a due morti m'avvicino L'una m' è certa, l'altra mi minaccia?