The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
. . . . . .
Ne pinger ne scolpir fin più che queti
L'anima volta a quell' amor divino
Ch'aperse a prender noi in croce le braccia.
[Illustration: "DER WINTER"
Drawing by Eduard von Steinle]
No other member of Leighton's family was ever known to have been an
artist, and neither his parents nor his sisters pretended to any
knowledge of painting; but respecting literature he had an interest in
common with both his sisters, also a very strong sympathy existed
between Mrs. Matthews and Leighton in their love for music. In answer
to a letter from Mrs. Orr relating to Mr. Augustine Birrell's
well-known book, Leighton wrote, "I have read 'Obiter Dicta,' and am
much charmed with its delicate humour and ease of its style. I thought
'Truth Seekers' charmingly written." With reference, however, to the
Browning chapter he continues:--
Browning's obscurity hides a shorthand of which he keeps the key
in _his_ pocket. A matter of form, _not_ of matter, as "O.D."
hath it. Browning is not abstruse; he is a _deep_ thinker, who
_therefore_ (_vide_ "O.D.") requires obscure language; he is a
most ingenious dialectician and a subtle analyst; but he is not
a great poet on _that_ account--he is a great poet because of
his magnificent central heat, and the surface of interests over
which he sheds it. All this is rather late in the day to remark,
and one would not be exasperated by his friends if one had not a
sort of feeling that they _have_ done something to mar him. You
say he would not be obscure if he _knew_ it?--_distinguons_. His
obscurity is not intentional--of course--it is inherent in a
style which is strongly personal, and therefore sincere--but is
it in no degree _wilful_?--does he _not_ accept, virtually, some
such (absolutely false) view of his obscurity as "O.D.'s"? A
pity it certainly is; Browning is the last man who in his heart
_wishes_ to touch only the few--nobody knows better than he does
that that is not the characteristic of the greatest poets, and
that not for that is a poet's soul kindled to a white heat.
Meanwhile, here _is_ the fact that men of average culture and
average brains (I claim both, for an example), and _desirous_ of
_understanding_, as well as full of admiration for his powers,
often get at his meaning only by considerable effort, and
sometimes not at all, and that not because the thought is
obscure, but because it is wilfully written in cypher.
The following letter to a friend of his sister's contains a criticism
of Leighton's on Goethe's _Sprüche_ under the head of "Kunst":--
_Private._]
2 HOLLAND PARK ROAD, KENSINGTON, W.,
17/8/91.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account