The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
Their very forms grow blurred and change their colour
Into dim snaky wreaths of purple pallor,
Fading away with Honour's fading Law
Into the pale sad ghosts that Dante saw;
Which we too see, crowned with departing glory,
When Leighton's genius deepens Dante's Story.
R.A.
_6th April 1861._
[19] D.G. Rossetti, in a letter to William Allingham, May 10, 1861,
writes: "Leighton might, as you say, have made a burst had not his
pictures been ill-placed mostly--indeed one of them (the only very good
one, _Lieder ohne Worte_) is the only instance of very striking
unfairness in the place."
[20] "_Lieder ohne Worte._"
[21] "Paolo and Francesca."
[22] These two pictures were painted from John Hanson Walker. Leighton
sent both to the Royal Academy Exhibition of 1862 with the titles
"Duet" and "Rustic Music." The first only was accepted.
[23] See water-colour and chalk drawings: Leighton House Collection.
[24] "Sea Echoes."
[25] The Hon. Mrs. Alfred Sartoris, sister-in-law of Leighton's friend,
Mr. Edward Sartoris.
CHAPTER II
ILLUSTRATIONS FOR _CORNHILL MAGAZINE_--FRESCO FOR LYNDHURST
CHURCH--ASSOCIATE OF THE ROYAL ACADEMY--MRS. LEIGHTON'S DEATH
1863-1865
In 1860 Leighton drew his first illustration for the _Cornhill
Magazine_:--
_Translation._]
_Friday, 30th November 1860._
MY DEAR FRIEND AND MASTER,--Best thanks for your dear letter of
the 7th, thanks also especially, because in your kind praise you
do not spare criticism also; you could give me no better proof
that you still esteem and love your old pupil. I feel the
justice of your remarks about the drapery of the Saviour very
much, and can only say in my excuse that I have treated this
kind of subject very little, for I am only really a profane
fellow; but should I at some future time again treat such a
theme, I should endeavour to avoid similar faults. I send you
this time, for fun, a proof impression of a woodcut after a
drawing I made for one of our good monthly periodicals (_The
Cornhill Magazine_). It seems to me to be not bad for wood. It
illustrates a poem, and represents Ariadne kneeling on an
eminence, looking out for Theseus. This as a preliminary; I hope
to send you something in April.
DEAREST MAMMY,--My wretched picture is causing more delays! I am
very sorry to say I shan't be able to get to Bath before
Wednesday evening. I am due at Stourhead the 27th; this I cannot
defer any more, as I must be on duty with the Rifle Corps at the
beginning of September, and can't do all I have to do in less
than a week--this will, however, still leave me three weeks, all
but two days, at Bath.
Public-domain text, read in full here on John Shaqi.
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