The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
I enjoyed myself at Panshanger very much--did I write to tell
you who our party was? In case I did not, it was as follows:
Henry Greville, Lord and Lady Katherine Valletort, Lord and Lady
Spencer, Mrs. Leslie, Lord Listowel, Mr. Clare Vyner, and Mr. E.
Lascelles--all young people; so that it was very pleasant.
There are, as you know, most beautiful pictures at Panshanger--a
magnificent Vandyke, a splendid Rembrandt, Correggio, Andrea del
Sarto, and two beautiful Raphaels.
G. Smith sent me a kind note and a cheque to fill up for drawing
in the _Cornhill_ ("Ariadne"). I put ten guineas, telling him
that I could not, as a general rule, interrupt my work for that
sum, but that I would not take more because the cut had turned
out so extremely bad.
I am going to expend the money, adding a few pounds, on a cup,
to be shot for in the spring by our Rifle Corps. Arthur Lewis
has already given one, and another of our men has promised a
second prize to go with my cup. My picture will be _finished_ by
the time I go to Bath. My eye is too accustomed to it to know
whether it is successful; I shall know better when I return from
the country.
I have no news, so good-bye, dear Mammy. Best love to all.--From
your very affectionate boy,
FRED.
I go to Windsor (to Miss Thackeray) for two days next week; that
also is an old invitation; I have no time for it, but must go. I
keep my parties going tolerably, but shall give that up with a
few exceptions when I settle here; it makes work impossible from
unavoidably late hours, and produces a general deterioration of
mind and body, mostly the former; the Hollands I shall always
keep up--they are most kind; I dine there frequently and meet
interesting and remarkable people.
Very remarkable drawings in pencil on other lines followed the
celebrated "Lemon Tree"--surpassing in dramatic truth of expression
any Leighton had executed since the early design he drew of the
"Plague in Florence in 1850."[26]
[Illustration: SKETCH FOR "MICHAEL ANGELO NURSING HIS DYING
SERVANT." 1862
Leighton House Collection]
Public-domain text, read in full here on John Shaqi.
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