The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
DEAR MR. LEIGHTON,--Your letter comforts me particularly. I am
so glad to think you find subjects to your mind. I have no
especial desire for the view from S. Miniato, and indeed a plan
we started in conversation with Mr. Smith this morning, namely,
to have moderately sized initial letters--the opening one being
an old Florentine in his _Lucco_ and generally the subjects
being bits of landscape or Florentine building--seems to do away
with any reason for having the landscape to begin with. The idea
of having Tessa and the mules, or Nello's sanctum, smiles upon
me, so pray feel free to choose the impression that urges itself
most strongly. Your observation about the "che, che" is just the
aid I besought from you. With that exception, I have confined
myself, I believe, to such interjections as I find in the
writers of the fourteenth and fifteenth centuries, and in them,
curiously enough, this exclamation now said to be so constant
and "to mean everything" (according to our authority) does not
seem to occur.
Thank you. Pray let me have as many criticisms of that kind as
you can. I am more gratified, I think, by your liking these
opening chapters than I have yet been by anything in these
nervous anxious weeks of decision about publication.--Very truly
yours,
M.E. LEWES.
F. LEIGHTON, Esq.
16 BLANDFORD SQUARE, N.W.,
_Tuesday Evening_.
DEAR MR. LEIGHTON,--I am enchanted! purely delighted! which
shall I begin with, to tell you that I delight in Baby's toes or
that exquisite poetry in the scene where Romola is standing? Is
it not a pleasant change to have that opening made through the
walls of the city, so as to see the sky and the mountains? In
the scene with Baldassarre and Tessa, also, the distant view is
charming. Tessa and her Babkin are perfect--Baldassarre's is, as
you say, an impossible face to draw, but you have seized the
framework of the face well, both in this illustration and the
previous one.
I want to tell you that a man of some eminence in art was
speaking of your drawings to a third person the other day as
"remarkable" in a tone of genuine admiration. I don't know
whether you care about that, but it is good to know that there
is any genuine admiration in one's neighbours.
I am glad to have the drawings left. I shall go now and have a
long look at them. The February number will soon be out of my
hands, but you will have it when it pleases the pigs--or
printers.--Ever yours truly,
M.E. LEWES.
PARK HOTEL, LITTLE HAMPTON,
SUSSEX, _September 10, '62_.
Public-domain text, read in full here on John Shaqi.
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