The Life & Letters of Peter Ilich Tchaikovsky — John Shaqi
The Life & Letters of Peter Ilich TchaikovskyChaikovskii, Modest
General
The Life & Letters of Peter Ilich Tchaikovsky
Chaikovskii, Modest
Composers -- Russia -- Biography; Tchaikovsky, Peter Ilich, 1840-1893
The allowance provided for social purposes sufficed for widespread
hospitality, and, owing to the affability of the host, and the
characteristic charm of his wife, the Tchaikovskys’ house was the
favourite resort of all the neighbouring society. This circle had
nothing in common with the uncultured provincial society of those days.
It was composed chiefly of young men from St. Petersburg, holding
various Government appointments in the district, and of one highly
intellectual English family. The proximity of Asia and the remoteness
from civilised centres were scarcely perceptible.
About the period of Peter Ilich’s earliest recollections, two new
members were added to the Tchaikovsky family--a girl, Alexandra, born
December 28th, 1842 (January 9th, 1843), and a son, Hyppolite, born
April 10th (22nd), 1844. The care of the younger children now so
exclusively occupied the mother’s attention that she was obliged to
engage a governess for her eldest son, Nicholas, and a niece, Lydia, who
lived with the family. While on a visit to St. Petersburg she became
acquainted with Fanny Dürbach, and brought her back to Votinsk in
November, 1844.
In view of the lasting influence which her personality exercised upon
Peter Ilich, some account of this lady should be given here.
Fanny Dürbach had been specially trained as a teacher, and had already
had some experience in her work. She knew French and German thoroughly,
and was a strict Protestant. She is still living at Montbeillard, near
Belfort, where she continues to give lessons. The poverty in which she
lived impressed me still more on my visit to her in 1894, because I knew
that two years earlier my brother Peter Ilich had implored her to
accept a regular allowance, which she absolutely refused. “I am content
with what I have,” she told him; “as far as I can be, after the heavy
blows fate has dealt me, I am happy.” The expression of her face,
wonderfully young for a woman of seventy-two, and the light in her large
black eyes, bespoke such true peace of mind and purity of heart that I
felt sure neither her physical ailments, nor the lack of luxury in her
surroundings, had power to darken the light of her declining days.
Although Fanny Dürbach’s connection with the Tchaikovsky family lasted
only four years, her memory lives with them to-day, while all her
successors have long been forgotten. She, too, had retained a vivid
recollection of “the happiest time in her life,” and her account of her
arrival at Votinsk gives an animated picture of the patriarchal life of
the Tchaikovsky family.
Public-domain text, read in full here on John Shaqi.
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