The Life & Letters of Peter Ilich TchaikovskyChaikovskii, Modest
General
The Life & Letters of Peter Ilich Tchaikovsky
Chaikovskii, Modest
Composers -- Russia -- Biography; Tchaikovsky, Peter Ilich, 1840-1893
“The Conservatoire begins already to be repugnant to me, and the
lessons I am obliged to give fatigue me as they did last year.
Just now I am not working at all. _Romeo and Juliet_ is finished.
Yesterday I received a commission from Bessel. He asked me to
arrange Rubinstein’s overture to _Ivan the Terrible_. I have had a
letter from Balakirev scolding me because I am doing nothing. I
hear nothing definite about my opera: they say it will be
performed, but the date is uncertain. I often go to the opera. The
sisters Marchisio are good, especially in _Semiramide_. Yet when I
hear them I am more and more convinced that Artôt is the greatest
artist in the world.”
_To Modeste Tchaikovsky._
“_November_ 18_th_ (30_th_).
“Yesterday I received very sad news from Petersburg. My opera is to
wait until next season, because there is not sufficient time to
study the two operas which stand before mine in the repertory:
Moniuszko’s _Halka_ and Dütsch’s _Croat_. I am not likely therefore
to come to Petersburg. From the pecuniary point of view the
postponement of my opera is undesirable. Morally, too, it is bad
for me; that is to say, I shall be incapable of any work for two or
three weeks to come.”
_To Modeste Tchaikovsky._
“_January_ 13_th_ (25_th_), 1870.
“Balakirev and Rimsky-Korsakov have been here. We saw each other
every day. Balakirev begins to respect me more and more. Korsakov
has dedicated a charming song to me. My overture pleased them both,
and I like it myself. Besides the overture, I have recently
composed a chorus from the opera _Mandragora_, the text of which,
by Rachinsky, is already known to you. I intended to write music to
this libretto, but my friends dissuaded me, because they considered
the opera gave too little scope for stage effects. Now Rachinsky is
writing another book for me, called _Raymond Lully_.”
Kashkin was one of the friends who dissuaded Tchaikovsky from composing
_Mandragora_. The latter played him a ‘Chorus of Insects’ from the
unfinished work, which pleased him very much. But he thought the subject
more suitable for a ballet than an opera. A fierce argument took place
which lasted a long time. Finally, with tears in his eyes, Tchaikovsky
came round to Kashkin’s view, and relinquished his intention of writing
this opera. It made him very unhappy and more chary in future of
confiding his plans to his friends.
Laroche gives the following account of this unpublished chorus:--
Public-domain text, read in full here on John Shaqi.
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