The life of Cardinal Mezzofanti: With an introductory memoir of eminent linguists, ancient and modernRussell, Charles William
History
The life of Cardinal Mezzofanti: With an introductory memoir of eminent linguists, ancient and modern
Russell, Charles William
Linguists; Mezzofanti, Giuseppe, 1774-1849
Of the two works which you mention, that of Father Giorgi
still maintains the reputation which its author commanded
during life by his prodigious learning. Will you let me know
whether the little work in Georgian that you refer to is
printed or manuscript? You are quite right in supposing that I
have not thought of that language since the departure of the
young physician of Teflis, who took his medical degree in our
university. Alas! what a large proportion of my life is spent
in teaching! If I but did that well, I might be content; but
when one does too much, he does nothing as it ought to be done.
I had not heard a word of Signor Baraldi’s affliction, for
which I am much concerned. I trust that, when you write again,
you will have better news for me. Pray present my special
compliments to the Librarian.
Do not forget me; and, in order that I may know you do not,
write often to assure me that it is so. Don Giuseppino sends
you a thousand greetings, and I myself more than a thousand.
Ever your most devoted servant and friend,
D. Joseph Mezzofanti.
In this year, Mezzofanti made the acquaintance of the celebrated Duchess
of Devonshire, during one of her visits to the north of Italy. The
success of her magnificent edition of Horace’s Fifth Satire—his journey
to Brundusium—had suggested to her the idea of a similar edition of the
Eneid. The first volume, with a series of illustrations, scenical, as
well as historical, (of Troy, Ithaca, Gaeta, Gabii, &c.,) had appeared in
Rome in 1819;[408] and the object of the duchess in this visit, was to
procure sketches in the locality of Mantua, and especially a sketch of
Pietole, the supposed site of the ancient Andes, the place of the poet’s
birth, upon that plain,
————tardis ingens ubi flexibus errat
Mincius.
One of Mezzofanti’s letters, addressed to his friend Pezzana, shews
the lengths to which this eccentric lady carried her zeal for the
illustration of this really magnificent work. Although the second volume
had been already published, and many of the copies had been distributed,
she continued to add to the number of the illustrations.
Public-domain text, read in full here on John Shaqi.
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