The Life of Carmen Sylva (Queen of Roumania)Stackelberg, Natalie
History
The Life of Carmen Sylva (Queen of Roumania)
Stackelberg, Natalie
Sylva, Carmen, 1843-1916
After her return to Bucharest, Princess Elizabeth began to illuminate
in water-colours in the style of a missal. These works of art were
quickly completed by her clever hands. On the 23rd of November she
writes in a letter from Bucharest--“Art in all its forms is but a
prayer. Consequently, when it is inspired, it brings peace and joy into
the hearts of others. Art places us on the Virful-cu-Dor (the Heights
of Longing), and whilst she shows us the world at our feet, still she
directs our longing gaze upwards. Then peace, perfect peace returns to
us.”
“_Bucharest, December 26, 1874._--To-morrow at eight o’clock the poor
receive their Christmas gifts. Wood and clothes are distributed to a
thousand poor people. Tuesday is a festival and day of rest, on which
I shall not say, ‘Oh, were I never born!’ For I am glad that I live,
and can have manifold experiences, and think and hope. I think life
is a blessing which has given me more than enough, for instance this
translating and this painting, which comes into my life as something
new and eventful. I think I must have taken some of the woodland soil
of my German home away with me, and unexpected streams well up from
under my feet. I am thankful to you, my earthly gods, for this, for
your endless love, earnestness, and wealth of thought have made me
the heiress of these your hardly-won treasures. If I have a good idea,
I ask myself, ‘From which of my parents does it come, to whom am I
beholden for it?’”
“_January 7, 1875._--I do not translate now, as I am writing so much
myself. As soon as I take up my pen, original thoughts flow into my
mind, and then it is difficult for me to transcribe the thoughts of
others. What we create ourselves is the most beautiful, translating
the most useful. I am always under the immediate impression of what
I am reading, and so the thoughts of Bernstein, and particularly a
description of the Atlantic cable, inspired my ‘Songs of the Sea.’
“Paul Keyse’s ‘Balder’ set me making verses of the same metre, which
are so pleasant to compose. I have arranged a Choral Society with
Lubitz, the new musician, with whom we sing in chorus. He is delighted
with the Roumanian songs, melodies, and words, and will arrange them as
a chorus. Our Choral Society makes good progress. Our working classes
are extending, and with them the interest for the good cause. Herr
Hoetsch has given us a house for the Infant School and the meetings of
our Society. Three times a week 160 to 170 women fetch their work from
thence. Enough flowers grow on my thorny path to refresh me.”
Public-domain text, read in full here on John Shaqi.
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