Before me lies a packet of extracts from newspapers and periodicals, which Mr. Brontë has sent me. It is touching to look them over, and see how there is hardly any notice, however short and clumsily-worded, in any obscure provincial paper, but what has been cut out and carefully ticketed with its date by the poor, bereaved father,--so proud when he first read them--so desolate now. For one and all are full of praise of this great, unknown genius, which suddenly appeared amongst us. Conjecture as to the authorship ran about like wild-fire. People in London, smooth and polished as the Athenians of old, and like them "spending their time in nothing else, but either to tell or to hear some new thing," were astonished and delighted to find that a fresh sensation, a new pleasure, was in reserve for them in the uprising of an author, capable of depicting with accurate and Titanic power the strong, self-reliant, racy, and individual characters which were not, after all, extinct species, but lingered still in existence in the North. They thought that there was some exaggeration mixed with the peculiar force of delineation. Those nearer to the spot, where the scene of the story was apparently laid, were sure, from the very truth and accuracy of the writing, that the writer was no Southeron; for though "dark, and cold, and rugged is the North," the old strength of the Scandinavian races yet abides there, and glowed out in every character depicted in "Jane Eyre." Farther than this, curiosity, both honourable and dishonourable, was at fault. When the second edition appeared, in the January of the following year, with the dedication to Mr. Thackeray, people looked at each other and wondered afresh. But Currer Bell knew no more of William Makepeace Thackeray as an individual man--of his life, age, fortunes, or circumstances--than she did of those of Mr. Michael Angelo Titmarsh. The one had placed his name as author upon the title-page of Vanity Fair, the other had not. She was thankful for the opportunity of expressing her high admiration of a writer, whom, as she says, she regarded "as the social regenerator of his day--as the very master of that working corps who would restore to rectitude the warped state of things. . . . His wit is bright, his humour attractive, but both bear the same relation to his serious genius, that the mere lambent sheet-lightning, playing under the edge of the summer cloud, does to the electric death-spark hid in its womb."