The Glaucus was a translation from the Greek done by a boy, probably as a boy's lesson It is not uncommon that such exercises should be treasured by parents, or perhaps by the performer himself, and not impossible that they should be made to reappear afterward as original compositions. Lord Brougham tells us in his autobiography that in his early youth he tried his hand at writing English essays, and even tales of fiction.[38] "I find one of these," he says, "has survived the waste-paper basket, and it may amuse my readers to see the sort of composition I was guilty of at the age of thirteen. My tale was entitled 'Memnon, or Human Wisdom,' and is as follows." Then we have a fair translation of Voltaire's romance, "Memnon," or "La Sagesse Humaine." The old lord, when he was collecting his papers for his autobiography, had altogether forgotten his Voltaire, and thought that he had composed the story! Nothing so absurd as that is told of Cicero by himself or on his behalf. It may be as well to say here what there may be to be said as to Cicero's poetry generally. But little of it remains to us, and by that little it has been admitted that he has not achieved the name of a great poet; but what he did was too great in extent and too good in its nature to be passed over altogether without notice. It has been his fate to be rather ridiculed than read as a maker of verses, and that ridicule has come from two lines which I have already quoted. The longest piece which we have is from the Phænomena of Aratus, which he translated from the Greek when he was eighteen years old, and which describes the heavenly bodies. It is known to us best by the extracts from it given by the author himself in his treatise, De Naturâ Deorum. It must be owned that it is not pleasant reading. But translated poetry seldom is pleasant, and could hardly be made so on such a subject by a boy of eighteen. The Marius was written two years after this, and we have a passage from it, quoted by the author in his De Divinatione, containing some fine lines. It tells the story of the battle of the eagle and the serpent. Cicero took it, no doubt (not translated it, however), from the passage in the Iliad, lib, xii, 200, which has been rendered by Pope with less than his usual fire, and by Lord Derby with no peculiar charm. Virgil has reproduced the picture with his own peculiar grace of words. His version has been translated by Dryden, but better, perhaps, by Christopher Pitt. Voltaire has translated Cicero's lines with great power, and Shelley has reproduced the same idea at much greater length in the first canto of the Revolt of Islam, taking it probably from Cicero, but, if not, from Voltaire.[39] I venture to think that, of the nine versions, Cicero's is the best, and that it is the most melodious piece of Latin poetry we have up to that date. Twenty-seven years afterward, when Lucretius was probably at work on his great poem, Cicero wrote an account of his consulship in verse.