The Life of Clara Barton, Founder of the American Red Cross (Vol. 1 of 2)Barton, William E. (William Eleazar)
History
The Life of Clara Barton, Founder of the American Red Cross (Vol. 1 of 2)
Barton, William E. (William Eleazar)
American National Red Cross -- Biography; Barton, Clara, 1821-1912; Nurses -- United States -- Biography
One of her earliest experiences, in accomplishing a memorable piece of
work with her own hands, came to her after her father had sold the two
hill farms to his sons and removed to the farm on the highway nearer
the village. It gave her her opportunity to learn the art of painting.
This was more than the ability to dip a brush in a prepared mixture
and spread the liquid evenly over a plane surface; it involved some
knowledge of the art of preparing and mixing paints. She found joy in
it at the time, and it quickened within her an aspiration to be an
artist. In later years and as part of her education, she learned to
draw and paint, and was able to give instruction in water-color and
oil painting. It is interesting to read her own account of her first
adventure into the field of art:
The hill farms--for there were two--were sold to my brothers, who,
entering into partnership, constituted the well-known firm of S. &
D. Barton, continuing mainly through their lives. Thus I became the
occupant of two homes, my sisters remaining with my brothers, none of
whom were married.
The removal to the second home was a great novelty to me. I became
observant of all changes made. One of the first things found
necessary, on entering a house of such ancient date, was a rather
extensive renovation, for those days, of painting and papering. The
leading artisan in that line in the town was Mr. Sylvanus Harris, a
courteous man of fine manners, good scholarly acquirements, and who,
for nearly half a lifetime, filled the office of town clerk. The
records of Oxford will bear his name and his beautiful handwriting as
long as its records exist.
Mr. Harris was engaged to make the necessary improvements. Painting
included more then than in these later days of prepared material. The
painter brought his massive white marble slab, ground his own paints,
mixed his colors, boiled his oil, calcined his plaster, made his
putty, and did scores of things that a painter of to-day would not
only never think of doing, but would often scarcely know how to do.
Public-domain text, read in full here on John Shaqi.
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