Novels now grow overnight and are forgotten in a day. The paper mills are glutted with the waste of yesterday’s popular works of fiction; and the perishability of paper is all that prevents the stopping of all the wheels of progress with the accumulation of obsolete “best-sellers.” But it was not so in 1821. The novels of Samuel Richardson, issued in the middle of the previous century, were still popular. He wrote “Pamela; or, Virtue Rewarded,” a novel named for its heroine, a pure and simple-minded country girl, who repelled the dishonorable proposals of her employer until he came to respect her, and married her, and they lived happily ever after. The plot of this story lives again in a thousand moving-picture dramas, in which the heroine is a shop girl or an art student; but Richardson required two volumes to tell the story, and it ran through five editions in a year. He also wrote “Sir Charles Grandison,” and it required six volumes to portray that hero’s smug priggishness; but the Reverend Dr. Finney, president of Oberlin College, who was also the foremost evangelist of his time, and whose system of theology wrought in its day a revolution, was not the only distinguished man who bore the name of Charles Grandison. But Richardson’s greatest literary triumph was “Clarissa Harlowe.” Lady Mary Wortley Montagu was not far wrong when she declared that the chambermaids of all nations wept over Pamela, and that all the ladies of quality were on their knees to Richardson imploring him to spare Clarissa. Clarissa was not a servant like Pamela: she was a lady of quality, and she had a lover socially her equal, but morally on a par with a considerable number of the gentry of his day. His name, Lovelace, became the popular designation of the gentleman profligate. Clarissa’s sorrows at his hands ran through eight volumes, and, as the lachrymose sentiment ran out to volume after volume, the gentlewomen of the English-reading world wept tears that might have made another flood. Samuel Richardson wrote the story of “Clarissa Harlowe” in 1748, but the story still was read, and the name of the heroine was loved, in 1821. But Clarissa Harlowe Barton did not permanently bear the incubus of so long a name. Among her friends she was always Clara, and though for years she signed her name “Clara H. Barton,” the convenience and rhythm of the shorter name won over the time-honored sentiment attached to the title of the novel, and the world knows her simply as Clara Barton.