In the year 1867, the proposal was made to the Holy Father at Rome, that Columbus should receive the honors known in the Roman Catholic Church as the honors of beatification. In 1877, De Lorgues, the enthusiastic biographer of Columbus, represents that the inquiry had gone so far that these honors had been determined on. One who reads his book would be led to suppose that Columbus had already been recognized as on the way to be made a saint of the Church. But, in truth, though some such inquiry was set on foot, he never received the formal honors of beatification. ***** We have one account by a contemporary of the appearance of Columbus.(*) We are told that he was a “robust man, quite tall, of florid complexion, with a long face.” (*) In the first Decade of Peter Martyr. In the next generation, Oviedo says Columbus was “of good aspect, and above the middle stature. His limbs were strong, his eyes quick, and all the parts of his body well proportioned. His hair was decidedly reddish, and the complexion of his face quite florid and marked with spots of red.” Bishop Las Casas knew the admiral personally, and describes him in these terms: “He was above the middle stature, his face was long and striking, his nose was aquiline, his eyes clear blue, his complexion light, tending towards a distinct florid expression, his beard and hair blonde in his youth, but they were blanched at an early age by care.” Las Casas says in another place, “he was rude in bearing, and careless as to his language. He was, however, gracious when he chose to be, but he was angry when he was annoyed.” Mr. Harrisse, who has collected these particulars from the different writers, says that this physical type may be frequently met now in the city and neighborhood of Genoa. He adds, “as for the portraits, whether painted, engraved, or in sculpture, which appear in collections, in private places, or as prints, there is not one which is authentic. They are all purely imaginary.” For the purpose of the illustration of this volume, we have used that which is best known, and for many reasons most interesting. It is preserved in the city of Florence, but neither the name of the artist nor the date of the picture is known. It is generally spoken of as the “Florentine portrait.” The engraving follows an excellent copy, made by the order of Thomas Jefferson, and now in the possession of the Massachusetts Historical Society. We are indebted to the government of this society for permission to use it.(*) (*) The whole subject of the portraits of Columbus is carefully discussed in a learned paper presented to the Wisconsin Historical Society by Dr. James Davie Butler, and published in the Collections of that Society, Vol. IX, pp. 79-96. A picture ascribed to Titian, and engraved and circulated by the geographer, Jomard, resembles closely the portraits of Philip III. The costume is one which Columbus never wore.