De Foe began the year 1706 with A Hymn to Peace[47]; occasioned by the two houses of parliament joining in one address to the queen. On the 4th of May he published An Essay at removing National Prejudices against an Union with Scotland. A few weeks after, he gave the world a second essay, to soften rancour and defeat perversity. But the time was now come when he was to perform what he had often promised: and his fruitfulness produced, in July, 1736, _Jure Divino_, a satire against Tyranny and Passive Obedience, which had been delayed for fear, as he declares, of parliamentary censure. Of this poem, it cannot be said, as of Thomson's Liberty, that it was written to prove what no man ever denied. This satire, says the preface, had never been published, though some of it has been a long time in being, had not the world seemed to be going mad a second time with the error of passive obedience, and non-resistance. "And because some men require," says he, "more explicit answers, I declare my belief, that a monarchy, according to the present constitution, limited by parliament, and dependent upon law, is not only the best government in the world, but also the best for this nation in particular, most suitable to the genius of the people, and the circumstances of the whole body." Dryden had given an example, a few years before, of argumentative poetry, in his Hind and Panther; by which he endeavoured to defend the tenets of the church of Rome. Our author now reasoned in rhyme, through twelve books, in defence of every man's birthright by nature, when all sorts of liberty were run down and opposed. His purpose is doubtless honester than Dryden's; and his argument being in support of the better cause, is perhaps superior in strength: but in the _Jure Divino_ we look in vain for The varying verse, the full-resounding line, The long majestic march, and energy divine.[48]