"Throughout the infinite variety of this book, this fundamental is most strictly adhered to; there is not a wicked action in any part of it, but it is first or last rendered unhappy or unfortunate; there is not a superlative villain brought upon the stage, but he is either brought to an unhappy end, or brought to be a penitent; there is not an ill thing mentioned but it is condemned, even in the relation; nor a virtuous just thing but it carries its praise along with it. What can more exactly answer the rule laid down, to recommend even those representations of things which have so many other just objections lying against them; namely, of example of bad company, obscene language, and the like." And in the preface to Robinson Crusoe he states his object to be "a religious application of events to the uses to which wise men always apply them, viz., to the instruction of others by this example, and to justify and honour the wisdom of Providence in all the variety of our circumstances, let them happen how they will." The extreme popularity of this justly celebrated work proves the success with which De Foe's labours were crowned. It is a book essentially English, one of which an Englishman only would have conceived the design, and which probably only an Englishman would have been able to execute. The idea of an inhabitant of a solitary island, "far in the melancholy main," subsisting in comparative comfort, might be expected from one of that nautical people whose flag has not only 'braved a thousand years the battle and the breeze,' but floated in triumph on every sea, and waved in the winds of every clime. From such a people the author might expect readers, and he has had them by thousands of every class and of every age. The interest, however, of the story has not confined the reputation and popularity of Robinson Crusoe to this country, but has made it the universal favourite of Europe. The great characteristics of this remarkable book are the vividness with which the imaginary scenes are depicted, so as to make it impossible for the reader to doubt their reality, and the just importance which is given to the knowledge of what a great man called "doing common things in a common way." For his power of imparting reality to his fictions De Foe indeed stands highly distinguished among authors. Dr. Johnson mistook the Life and Piracies of Captain Singleton, for a real history; and lord Chatham fell into a similar mistake about the Memoirs of a Cavalier during the civil wars in England. Dr. Mead quoted the History of the Plague as an authentic detail by an eyewitness. And this quality marks the different fictions, Moll Flanders, &c., which the publishers have collected and reprinted in the present edition. These remarkable tales, it is true, describe the career of loose and immoral characters, but only in a way to disgust and deter. There is never any impropriety in the descriptions of events, however degrading; the nature of De Foe was