Belasco, David, 1853-1931; Theater -- United States
Belasco, by obtruding harlots on the stage,--as he has not scrupled to
do, in presenting to public observance _Zaza_ and _Laura
Murdoch_,--follows many precedents and impliedly approves the
exploitation of such persons,--unfortunate, pitiable, deplorable,
sometimes amiable and gentle, more frequently hard, fierce, treacherous,
and wicked. His published writings avow his views on this subject, and I
have found his private assurances concurrent with his published
writings. Those views do more credit to the kindness of his disposition
than to the clarity of his thought. From his youth onward he has been
deeply interested in aberrant women, studious of their aberrancy,
solicitous for their rescue and reformation, charitable toward them,
wishful to befriend them, and strenuous, when writing about them, to
place them in the best possible light. “Whenever I rehearse a situation
of passion, of crime, of wrongdoing” (so he writes), “I remember _the
heart_. _I make an excuse_--seek out the _motive_, to put the actor in
touch with the culprit’s _point of view_. The _excuse is always there_.”
No form of reasoning could be more sophistical, more delusive, more
mischievous. The _reason_ for sin, for crime, for wrongdoing, _is_
always there: but a broad distinction exists between the _reason_ and
the _excuse_. Some persons, naturally good, nevertheless do wrong,
commit crime, sin against themselves and against both moral law and
social order, because they cannot help it, because they are weak and
cannot resist temptation. Other persons commit crime knowingly,
deliberately, intentionally, because they wish to do so, because they
delight in doing so, and find their greatest possible gratification in
acts of wickedness. Selfishness and greed are, in a vast number of
cases, impervious to anything other than the operation of external
forces painful to themselves: there are persons who possess no moral
sense whatever. The notion that there is a substratum of goodness in
every human being is one of the most flagrant delusions that ever
entered the mind of sensible persons acquainted with the history of the
world and aware of what is passing around them every hour. “I remember
_the heart_” says Belasco: it would not be amiss to remember what was
long ago said of that interesting organ by one of the wise prophets of
his nation: “The heart is deceitful above all things, and desperately
wicked.” It is in the highest degree creditable to Belasco as a man that
he possesses a tenderly compassionate, humane spirit and has always
practically acted on the impulse of it; neither wisdom nor justice is
discernible in the “moral teaching” that he has liberated by his
indiscriminate subservience to it in the instances I have named.
PRODUCTION, AND CONTENTS, OF “ZAZA.”
Public-domain text, read in full here on John Shaqi.
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