Belasco, David, 1853-1931; Theater -- United States
House), playing _Mme. Dumesnil_, in an English translation of Octave
Feuillet’s “La Tentation.” There is, moreover, no play entitled “The
Lioness of Nubia.” There is, however, a play called “The Lion of Nubia,”
and there was an actress, of the soubrette order, named Minnie Wells,
who appeared in that play at the Metropolitan Theatre, December 16,
1872, acting the central part, _Harry Trueheart_. The play was billed as
“The Great Eastern Sensational Military Drama, ’The Lion of Nubia,’
introducing Banjo Solos, Banjo Duets,” etc. This play was thus
advertised in San Francisco newspapers, December 16 to 22, 1872. John R.
Woodard and Frank Rea, both of whom Belasco specifies as having been in
the performance he supposes to have been given by “Mary Wells,” were
members of the company supporting Minnie Wells at the Metropolitan in
December, 1872, and it was with the latter and in “The Lion of Nubia”
that Belasco made the appearance which he has misremembered and
inadvertently misstated in his published “Story.” The part that he
played, _Lieutenant Victor_, was practically that of a super. He was
billed on that occasion as “Walter Kingsley,” the name of the circus
clown who had befriended him in his childhood. It was a common expedient
of the time for actors to adopt names not theirs when embarking on a
theatrical career, and it pleased Belasco, for no special reason beyond
a boyish whim, to do likewise. He used the name of Walter Kingsley for a
little while, but his doing so distressed his mother and therefore he
presently dropped it and wisely reverted to his own. In the early
records that I have found it generally appears as “D. Belasco,” and
often various superfluous initials are inserted through compositors’
errors. Belasco’s account of the appearance with Miss Wells, as given to
me, specifies that he had one line to speak, which was “Perhaps the
stress of the weather has driven them further up the coast”; that his
schoolmates, in large number, were in the gallery; that his appearance
was hailed by them with applause; that they clamorously demanded he
should recite “The Maniac”; that their boisterous behavior interrupted
the performance and annoyed the actress, and that she caused Woodard to
discharge him.
Public-domain text, read in full here on John Shaqi.
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