Belasco, David, 1853-1931; Theater -- United States
In its original form the scene of that play was “A Middle Western Town”
(Missouri), its five characters were Caucasian, and its story was one of
erring love, deceit, shame, and rescue set in a commonplace rural
environment,--a main purpose of its author being, presumably, to exhibit
a group of conventional persons impelled by violent passion yet
restrained by religious feeling. In that form it received a trial
presentment, June 28, 1915, at Atlantic City, New Jersey, with this
cast:
_In the Prologue._
_David Greer_ William H. Thompson.
_Elizabeth Greer_ Lenore Ulric.
_In the Play._
_Jonathan Wells, D.D_ Arthur Lewis.
_Anthony Wells_ Lowell Sherman.
_The Rev. Frederick Forbes_ John Miltern.
_Elizabeth Greer_ Lenore Ulric.
_David Greer_ William H. Thompson.
“Although its material was undeniably good, I had felt strong doubts
about the piece, from the first, but I gave it a ‘try-out,’ anyway,”
said Belasco. “Then I saw that it would not do as it stood and took it
off, and, at my suggestion and under my supervision, with such
assistance as I could give, Mr. Scarborough rewrote ‘The Girl’ and
eventually we had a real success with it.”
The rewritten play was first acted, January 20, 1916, at Stamford,
Connecticut, under the title of “Oklahoma”; soon after it was called
“The Heart of Wetona,” and under that name it was brought forth,
February 29, at the Lyceum Theatre, New York, where it held the stage
until May 20.
In its definitive form the scene of “The Heart of Wetona” is an Indian
Reservation, in the torrid State of Oklahoma; several of its persons are
aborigines of the Comanche tribe, and,--though its action and incidents
are sometimes arbitrarily directed,--it is a remarkably good melodrama
of a long-familiar kind. Belasco’s purpose in directing the revision was
to provide an effective play for the exploitation of the young actress
whose talents had so favorably impressed him, and that purpose was well
accomplished,--the interest centring continuously in the principal
female part, a girl named _Wetona_, the child of a Comanche chieftain
and a white mother, deceased. This girl, who has been seduced under a
lying promise of marriage by _Anthony Wells_, a visitor to the Indian
Reservation, is chosen as a sort of vestal virgin in ceremonial rites of
the Comanches, and thereupon, in the Tribal House, before her father
and his assembled warriors, though concealing her lover’s identity, she
confesses her transgression. The girl is then subjected to a harrowing
inquisition by the Indians, who desire to find and slay her lover. At
last, unable to endure longer, she agrees to reveal his name on
condition that she first be permitted to warn him of his danger. She
seeks him in the home of his friend _John Hardin_, the Indian Agent on
the Reservation (who secretly loves the girl and desires to make her his
wife), and is followed by her father, _Chief Quannah_, who, finding her
Public-domain text, read in full here on John Shaqi.
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