Belasco, David, 1853-1931; Theater -- United States
in conference with _Hardin_, furiously accuses him of being the wronger
of his daughter and demands that he instantly marry her--as an
alternative to being instantly slain with her. To save the girl,
himself, and her to him unknown lover, _Hardin_ agrees to do so,
privately assuring _Wetona_ that the marriage shall be one in name but
not in fact, and, a clergyman being conveniently accessible, the wedding
is at once performed. Afterward _Wetona_, collapsing, calls upon the
name of her _Anthony_--thus discovering to her husband her resolutely
guarded secret. Later, _Wells_, ensconced in the home of _Hardin_ and
supposing himself unsuspected and secure, seeks to resume his relation
with _Wetona_, but is repulsed by her until a divorce (to which
_Hardin_ will connive) shall have been obtained and he shall have
fulfilled his promise of marriage. Then the perfidy of _Wells_ is
revealed to _Wetona_ and she revolts from him; _Quannah_ discovers the
truth; _Hardin_, though righteously wrathful against _Wells_, tries to
save him from the vengeance of the Indians (providing him with weapons
and a steed) but fails,--that rascal being shot and killed as he
attempts to ride away in the night,--and the injured, forlorn Indian
girl humbly and thankfully confesses to _Hardin_ her contrition, her
gratitude for his protective generosity, the affection with which he has
inspired her, and her glad willingness to remain with him as his wife.
The ethics of all this will hardly bear scrutiny--but the dramatic
effect of it in representation was undeniable; and, perhaps, where
virtue is, presumably, intended it is to consider too curiously to
consider further. Miss Ulric presented with vigor, skill, simplicity,
sustained continuity of identity, and remarkable force a true, pathetic,
and alluring ideal of unsophisticated girlhood, confiding feminine ardor
and passionate distress, and she gained an auspicious success.--The cast
of “The Heart of Wetona,” as acted at the Lyceum under the management of
Belasco and a corporation called “Charles Frohman, Inc.,” is appended:
[Illustration:
Photograph by Abbe. Belasco’s Collection.
LENORE ULRIC AS _WETONNA_, IN “THE HEART OF WETONNA”]
_Quannah_, Chief of the Comanches William Courtleigh.
_Wetona_ Lenore Ulric.
_John Hardin_ John Miltern.
_David Wells_ Edward L. Snader.
_Anthony Wells_ Lowell Sherman.
_Mary Greer_ Isabel O’Madigan.
_Comanche Jack_ Curtis Cooksey.
_Nauma_ Ethel Benton.
_Nipo_ H. G. Carleton.
_Pasequa_ Langdon West.
_Eagle_ Chief Deer.
VARIOUS PRODUCTIONS--MISCELLANEOUS RECORD: “WHAT’S WRONG.”--“THE
VANISHING BRIDE.”--“THE LOVE THOUGHT.”--“ALIAS.”
Public-domain text, read in full here on John Shaqi.
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