Belasco, David, 1853-1931; Theater -- United States
ardor of the French poet and his agents cooled and his suit languished:
Richepin never proceeded in the case (which appears to have been an
effort to extort money from Belasco), and it was formally discontinued
in January, 1908.
Richepin’s play (called “Du Barri”) was produced by Mrs. Cora Urquhart
Potter, March 18, 1905, at the Savoy Theatre, London, and it was a
complete failure. “I had planned to take Mrs. Carter to London, in ‘Du
Barry,’” Belasco has told me, “but Mrs. Potter’s failure was so decisive
that I gave up all thought of attempting to do so.” Writing about the
“Du Barry” lawsuit, Belasco says: “Our quarrel was long and heated, but
eventually all was ‘forgotten and forgiven,’ and I could once more read
Richepin’s mellow poetry without tearing my hair, and Richepin said
publicly, ‘The rest is silence,’ or something as nearly like it as the
Frenchman _can_ say,”--which, truly, was most generous on the part of
“the Frenchman,” in view of the fact that, altogether, Belasco had paid
him $8,500 in a venture toward making which he had, at most, contributed
merely the suggestion of a subject.
A GRACIOUS TRIBUTE:--“REMEMBER THAT WE LOVED YOU.”
On the first day of the new year, 1902, Belasco was the recipient of a
gracious tribute which, as he feelingly said to me, is one of his most
cherished memories. The performance ended about half-past eleven on the
night of December 31, 1901, and a little before midnight all the members
of the company concerned in representation of his drama assembled on the
stage about Belasco, Mrs. Carter, and Charles A. Stevenson, ostensibly
to greet the new year. Just at midnight beautiful silver chimes slowly
rang out the hour, and as Belasco turned to wish the assembled company
a happy New Year Mr. Stevenson stepped forward before he could speak
and, uncovering a massive and beautiful loving-cup of silver set upon an
ebony pedestal, presented it to Belasco “as a token of the great esteem
and true affection with which, during the long and arduous preparation
of ‘Du Barry,’ every member of your organization has learned to regard
you.” Belasco, always warm-hearted and peculiarly susceptible to even
casual acts of courtesy and kindness, was so much affected by the
cordial feeling displayed by all about him in the conveyance of this
rich gift that for several moments he was unable to make any
acknowledgment. Then, speaking with difficulty and almost in a whisper,
he said: “I--I thank you, all--all--from my heart. It is very lovely.
You have worked so hard, with me and for me--all of you--so nobly and so
unselfishly that I feel it is _I_ who should give a loving-cup to
you--to every member of the company. In all my experience I have not
received a more generous, touching tribute--anything which I have
appreciated more. I am poor in words--I can only say to all of you thank
you, thank you, thank you--a thousand thousand times.”
Public-domain text, read in full here on John Shaqi.
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