Nightingale, Florence, 1820-1910; Nurses -- England -- Biography
When Florence Nightingale was between five and six years old,
the family removed from Lea Hall to Lea Hurst, a house which Mr.
Nightingale had been rebuilding on a site about a mile distant, and
immediately above the hamlet of Lea Mills. This delightful new home is
the one most widely associated with the life of our heroine. To quote
the words of the old lady at the lodge, “It was from Lea Hurst as
Miss Florence set out for the Crimea, and it was to Lea Hurst as Miss
Florence returned from the Crimea.” For many years after the war it
was a place of pilgrimage, and is mentioned in almost every guidebook
as one of the attractions of the Matlock district. It has never been in
any sense a show house, and the park is private, but in days gone by
thousands of people came to the vicinity, happy if they could see its
picturesque gables from the hillside, and always with the hope that a
glimpse might be caught of the famous lady who lived within its walls.
Miss Nightingale remains tenderly attached to Lea Hurst, although it
is eighteen years since she last stayed there. After the death of her
parents it passed to the next male heir, Mr. Shore Smith, who later
assumed the name of Nightingale.
[Illustration: LEA HURST, DERBYSHIRE.
(_Photo by Keene, Derby._)
[_To face p. 16._
]
Lea Hurst is only fourteen miles from Derby, but the following incident
would lead one to suppose that the house is not as familiar in the
county town as might be expected. Not long ago a lady asked at a fancy
stationer’s shop for a photograph of Lea Hurst.
“Lea Hurst?” pondered the young saleswoman, and turning to her
companion behind the counter, she inquired, “Have we a photograph of
Lea Hurst?”
“Yes, I think so,” was the reply.
“Who is Lea Hurst?” asked the first girl.
“Why, an actor of course,” replied the second.
There was an amusing tableau when the truth was made known.
Miss Nightingale’s father displayed a fine discrimination when he
selected the position for his new house. One might search even the
romantic Peak country in vain for a more ideal site than Lea Hurst. It
stands on a broad plateau looking across to the sharp, bold promontory
of limestone rock known as Crich Stand. Soft green hills and wooded
heights stud the landscape, while deep down in the green valley the
silvery Derwent--or “Darent,” as the natives call it--makes music as
it dashes over its rocky bed. The outlook is one of perfect repose and
beauty away to Dove’s romantic dale, and the aspect is balmy and sunny,
forming in this respect a contrast to the exposed and bleak situation
of Lea Hall.
Public-domain text, read in full here on John Shaqi.
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