Nightingale, Florence, 1820-1910; Nurses -- England -- Biography
The gardens at Lea Hurst slope down from the back of the house in a
series of grassy terraces connected by stone steps, and are still
preserved in all their old-fashioned charm and beauty. There in
spring and early summer one sees wallflowers, peonies, pansies,
forget-me-nots, and many-coloured primulas in delightful profusion,
while the apple trellises which skirt the terraces make a pretty show
with their pink blossoms, and the long border of lavender-bushes is
bursting into bloom. In a secluded corner of the garden is an old
summer-house with pointed roof of thatch which must have been a
delightful playhouse for little Florence and her sister.
The park slopes down on either side the plateau on which the house
stands. The entrance to the drive is in the pleasant country road which
leads to the village of Whatstandwell and on to Derby. This very modest
park entrance, consisting of an ordinary wooden gate supported by stone
pillars with globes on the top, has been described by an enthusiastic
chronicler as a “stately gateway” with “an air of mediæval grandeur.”
There is certainly no grandeur about Lea Hurst, either mediæval or
modern. It is just one of those pleasant and picturesque country
mansions which are characteristic of rural England, and no grandeur
is needed to give distinction to a house which the name of Florence
Nightingale has hallowed.
Beyond the park the Lea woods cover the hillside for some distance, and
in spring are thickly carpeted with bluebells. A long winding avenue,
from which magnificent views are obtained over the hills and woodland
glades for many miles, skirts the top of the woods, and is still
remembered as “Miss Florence’s favourite walk.”
The chief relic preserved at Lea Hurst is the curious old carriage used
by Miss Nightingale in the Crimea. What memories does it not suggest
of her journeys from one hospital to another over the heights of
Balaclava, when its utmost carrying capacity was filled with comforts
for the sick and wounded! The body of the carriage is of basket-work,
and it has special springs made to suit the rough Crimean roads. There
is a hood which can be half or fully drawn over the entire vehicle. The
carriage was driven by a mounted man acting as postilion.
It seems as though such a unique object ought to have a permanent place
in one of our public museums, for its interest is national. A native
of the district, who a short time ago chanced to see the carriage,
caught the national idea and returned home lamenting that he could
not put the old carriage on wheels and take it from town to town.
“There’s a fortune in the old thing,” said he, “for most folks would
pay a shilling or a sixpence to see the very identical carriage in
which Miss Florence took the wounded about in those Crimean times. It’s
astonishing what little things please people in the way of a show. Why,
that carriage would earn money enough to build a hospital!”
CHAPTER IV
_THE DAYS OF CHILDHOOD_
Public-domain text, read in full here on John Shaqi.
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