He was careful of his prestige. "When one is master of oneself," he gravely taught his sister, "then one is master of the whole world." He was proud, and believed in the nobility of the Nietzsches. This was a family legend which his grandmother loved to relate, and of which he and his sister Lisbeth used to dream. Remote ancestors of theirs, Counts, Nietzski by name, had lived in Poland. During the Reformation they defied persecution, and broke with the Catholic Church. Thereafter they wandered wretchedly for three years, outcasts, pursued from village to village. With them was their son, who had been born on the eve of their flight. The mother nursed this child with devoted constancy, and he thus acquired, in spite of all ordeals, wonderful health, lived to a great age, and transmitted to his line the double virtue of strength and longevity. Friedrich was never tired of listening to so fine an adventure. Often also he asked to be told the history of the Poles. The election of the King by the Nobles, gathered together on horseback in the midst of a great plain, and the right which the meanest of them had to oppose his veto to the will of all the rest, struck him with admiration: he had no doubt that this race was the greatest in the world. "A Count Nietzski must not lie," he declared to his sister. Indeed, the passions and the powerful desires which, thirty or forty years later, were to inspire his work, already animated this child with the bulging forehead and the big eyes, whom unhappy women loved to fold in their tender caresses. When he was nine years old his tastes widened, and music was revealed to him by a chorus from Handel, heard at church. He studied the piano. He improvised, he accompanied himself in chanting the Bible, and his mother, remembering her husband's fate, was troubled, for he, too, like the child, used to play and improvise on the organ at Röcken. The instinct of creation--an instinct that was already tyrannical--seized hold of him; he composed melodies, fantasies, a succession of mazurkas, dedicated to his Polish ancestors. He wrote verses, and mother, grandmother, aunts, sister, received, every anniversary, a poem with his music. Games themselves became the pretext for work. He drew up didactic treatises, containing rules and advice, which he handed over to his comrades. First he taught them architecture; then, in 1854, during the siege of Sebastopol, the capture of which made him weep--for he loved all Slavs and hated the revolutionary French--he studied ballistics and the defence of fortified places. At the same time, he and two friends founded a theatre of arts, in which they played dramas of antiquity and of primitive civilisations, of which he was the author: _The Gods of Olympus_ and an _Orkadal._