Crescents and Circuses, Pulteney and Milsom Streets, and Queen Squares, and odd holes, lanes,’ and corners, until reaching Avon Street, where ‘the power of sinking could no further go,’ nor the Pig and Whistle meet with a more picturesque if degraded aspect In this latter neighbourhood it was requisite for professional purposes and home orders that George Cruikshank should have a nightly sojourn, if not revel; and so a suitable tavern was chosen that had a skittle-alley attached, that except in name or position might form a capital match for that Lion in the Wood in Wilderness Lane, that he mentions in ‘My Portrait,’ at the commencement of bis _Omnibus_. Whilst we were there as lookers-on only, and sipping ‘half-and-half’ out of the same pewter ‘between the acts,’ if they may be so called, or during the ‘intervals,’ at this Beggars’ Opera, friend Cruikshank amused himself by chalking one scene on the wall, and all eyes were soon upon it, for it was lifelike and spirited. Oh that I could have removed that wonderful cartoon from its surface, or preserved a copy! it would now realize the value of many ordinary frescoes and presumed originals--and more than drunken Morland’s ‘Goat-in-Boots’ signboard. But leaving Bath for Cape Town three months afterwards, the mind was absorbed in other matters, and both places and scenes forgotten at the time, but now stand out in bold relief and vividly.” [Illustration: 105] This was George Cruikshank only a few years before he gave himself wholly up to the cause of Temperance. [Illustration: 106] EPOCH II. 1848--1878. CHAPTER I. AT GILLRAY’s GRAVE.