The Life of George Cruikshank in Two Epochs, Vol. 2. (of 2)Jerrold, Blanchard
History
The Life of George Cruikshank in Two Epochs, Vol. 2. (of 2)
Jerrold, Blanchard
Cruikshank, George, 1792-1878
“Having strolled towards Westminster Hall to survey the scene of my
future triumphs, it struck me that I had carried the grand classical
to such a height as to preclude all chance of my cartoon being got in
through the doorway; and I therefore, with the promptitude of a Richard
the Third, determined to ‘off with his head’ by taking a slice off the
top of the canvas. This necessary piece of execution rather spoiled
the design, but it enabled me to throw a heaviness into the brows of my
principal figure, which, if it marred the resemblance to Fawkes, gave
him an additional look of the Guy at all events. It then occurred to me
that I might diminish the dimensions by taking a couple of feet off the
legs; and this happy idea enabled me to carry out the historical notion
that Fawkes was the mere tool of others, in which case, to cramp him in
the understanding must be considered a nice blending of the false in art
with the true in nature. The Guy’s feet were accordingly foreshortened,
till I left him as he appeared when trying to defend himself at his
trial, with hardly a leg to stand upon. Besides, I knew I could fresco
out his calves in fine style, when once I got permission to turn the
fruit of my labours into wall fruit on the inside of the Houses of
Parliament.
“It will now be naturally asked why my cartoon was not exhibited
with others, some of which were equally monstrous, in the Hall of
Westminster. The fact is, if the truth must out, the cartoon would not
go in. Though I had cramped my genius already to suit the views of the
Commissioners and the size of the door, I found I must have stooped much
lower if I had resolved on finding admittance for my work. I wrote at
once to the Woods and Forests, calling upon them to widen the door for
genius, by taking down a portion of the wall: but it will hardly be
believed, that though there were, at the time, plenty of workmen about
the building, no answer was returned to my request. Alas! it is all
very well to sing, as they do in Der Freischutz, ‘Through the Woods
and through the Forests,’ but towards me the Woods and Forests proved
themselves utterly impenetrable.
Public-domain text, read in full here on John Shaqi.
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