Sometimes he let the theatre, and on that subject he was almost
pathetic: "Whenever this theatre is to let," he wrote, "I am
complimented by numerous persons with proposals which prove that I am
regarded by them as the most credulous and confiding of human
beings--hardly indeed a human being, but a simple, convenient lamb
... nothing that I can do convinces them that I am not a lamb covered
with nice long wool and eager to be shorn. On these occasions I
remember that the tempering of the wind to the shorn lamb is, after
all, but a poetical figure, and therefore I take care to meet the
tempest with a fleece on my back."[11] He had not a high opinion of
dramatic artists, as men of business. "I confess," he said, "that
for my own part I have never understood the meaning of high art in
its dignified aspect. I never, in the course of my existence, came
across one of its votaries--painter, sculptor, author, or
architect--who was ready to sacrifice one farthing of his own at its
shrine. I once was the owner of a theatre, and I was perpetually at
war with authors and actors who wanted me to ruin myself on the altar
of high art, but I soon found that this was a term which they used
for their own fads. Once I produced a play by Charles Reade. It was
a failure, and on the first night I was sitting with him in a box.
'They {102} seem to be hissing, Mr. Reade,' I said. 'What of that?'
he replied; 'if you want to please such a public as this, you should
not come to me for a play.'"[12] He had an amusing story too to
relate of how he rode roughshod over Tom Taylor's artistic prejudices
by insisting upon a chemical fire being lit upon the stage at his
production of the latter's _Joan of Arc_, in the flames of which the
heroine (Mrs. Rousby) was to perish realistically, instead of being
wafted to Heaven in the arms of angels, as the author had planned she
should be. But the story of his theatre-management days that he was
fondest of telling was in connection with the late Sir Henry Irving.
The latter, at a big banquet he gave to a party of his friends, was
relating some of the events of his professional career. "And to
think, Labby," he said, turning to his old friend, "that I was once
receiving five pounds a week from you!" "Three pounds, Henry, my
boy," retorted Labouchere quickly, "only three."
Public-domain text, read in full here on John Shaqi.
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