The Life of James McNeill WhistlerPennell, Elizabeth Robins
General
The Life of James McNeill Whistler
Pennell, Elizabeth Robins
Whistler, James McNeill, 1834-1903
Transcriber's Note:
Italic text is denoted by _underscores_.
Obvious punctuation errors and typos repaired.
Footnotes moved to end of relevant chapters.
Index of Illustrations adjusted to match HTML version.
Two un-indexed illustrations, 'WHISTLER'S GRAVE IN CHISWICK
CEMETERY ADJOINING CHISWICK CHURCHYARD' and 'MONUMENT IN
WHISTLER'S MEMORY AT THE UNITED STATES MILITARY ACADEMY
AT WEST POINT', added to the "List of Illustrations".
In the original book the Illustrations are indexed as "Facing Page nnn".
These have been changed to refer to the nearest page.
THE LIFE OF JAMES McNEILL WHISTLER
[Illustration: PORTRAIT OF THE ARTIST
_Fr._ (By Himself)]
THE LIFE OF JAMES McNEILL WHISTLER
BY
E. R. AND J. PENNELL
NEW AND REVISED EDITION THE SIXTH
_ILLUSTRATED_
PHILADELPHIA
J. B. LIPPINCOTT COMPANY
LONDON: WILLIAM HEINEMANN
_Printed in Great Britain_
PREFACE TO THE SIXTH EDITION
The Fifth Edition of our book was exhausted before war was declared,
and not until peace was declared was it thought by the publishers
advisable to issue this Sixth Edition, which has been revised and
brought up to date, and contains new material and new illustrations.
All the while we have been collecting and verifying documents, and all
the while we have received suggestions, facts, and inquiries. The book
has been published in French, but for the war it would have been long
since translated into other languages. During these years of needless,
senseless, useless horrors, the name and fame of Whistler have steadily
grown. His works have served as propaganda--what a comment!--even the
portrait of his mother has been used as a poster by the British, and
his own portrait has obtained the glory of appearing as a tribute to
the power of advertising. All the while, endless stories, most of them
garbled from this book, when not invented, have gone from end to end
of the world. Exhibitions of his paintings and prints and of documents
relating to him have been held. Galleries and private collectors have
acquired what little of his work was left to acquire. Even the National
Gallery of Great Britain has accepted three of his pictures from the
late Arthur Studd though Whistler had distinctly said that he did not
wish to be represented in any English gallery. Dealers have found in
his art inexhaustible attraction and asset for shows. Mr. Freer's
collection in the National Museum, Washington, is about to open. Our
collection is being installed in the Library of Congress, also in
Washington--though it was damaged by unpardonable and undiscoverable
carelessness in transit, caused by this cursed war. Washington must
soon be visited to see Whistler as Madrid is to see Velasquez. All the
while, too, the financial appreciation of Whistler--the standard by
which art and everything is judged to-day--has vastly increased, the
_Mrs. Leyland_ and _Lady Meux_ selling for more hundreds of thousands
than he asked hundreds of dollars for.
Public-domain text, read in full here on John Shaqi.
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