The life of Jean Henri Fabre, the entomologist, 1823-1910Fabre, Augustin
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The life of Jean Henri Fabre, the entomologist, 1823-1910
Fabre, Augustin
Entomologists -- France -- Biography; Fabre, Jean-Henri, 1823-1915
One of the great joys of the Sérignan hermit is, after supper, to
isolate himself in the restful quietude of the harmas, and there to
lend an attentive ear to the least vibrations of sound from that little
living world which he can no longer see but can still hear. Nothing
will succeed in distracting him from this entomological concert, which
is one of his delights. It makes him forget even the rejoicings of the
national festival which is being celebrated close at hand, and the
splendours of the starry sky that glitters above his head.
This evening in the village they are celebrating the National
Festival. [112] While the little boys and girls are hopping around
a bonfire whose gleams are reflected upon the church-steeple, while
the drum is banged to mark the ascent of each rocket, I am sitting
alone in a dark corner, in the comparative coolness that prevails
at nine o’clock, harking to the concert of the festival of the
fields, the festival of the harvest, grander by far than that
which, at this moment, is being celebrated in the village square
with gunpowder, lighted torches, Chinese lanterns, and, above all,
strong drink. It has the simplicity of beauty and the repose of
strength.
It is late; and the Cicadæ are silent. Glutted with light and heat,
they have indulged in symphonies all the livelong day. It is now
the time of the nocturnal performers. Hard by the place of
slaughter, in the green bushes, a delicate ear perceives the hum of
the Grasshoppers. It is the sort of noise that a spinning-wheel
makes, a very unobtrusive sound, a vague rustle of dry membranes
rubbed together. Above this dull bass there rises, at intervals, a
hurried, very shrill, almost metallic clicking. There you have the
air and the recitative, interspersed with pauses. The rest is the
accompaniment.
Despite the assistance of a bass, it is a poor concert, very poor
indeed, though there are about ten executants in my immediate
vicinity. The tone lacks intensity. My old tympanum is not always
capable of perceiving these subtleties of sound. The little that
reaches me is extremely sweet and most appropriate to the calm of
twilight. Just a little more breadth in your bow-stroke, my dear
Green Grasshopper, and your technique would be better than the
hoarse Cicada’s, whose name and reputation you have been made to
usurp in the countries of the north.
Still, you will never equal your neighbour, the little bell-ringing
Toad, who goes tinkling all around, at the foot of the plane-trees,
while you click up above. He is the smallest of my batrachian folk
and the most venturesome in his expeditions.
Public-domain text, read in full here on John Shaqi.
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