The life of Jean Henri Fabre, the entomologist, 1823-1910Fabre, Augustin
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The life of Jean Henri Fabre, the entomologist, 1823-1910
Fabre, Augustin
Entomologists -- France -- Biography; Fabre, Jean-Henri, 1823-1915
Fabre, in fact, seldom departed from the world of insects, because it
is in this little world that the greatest miracles of instinct are
manifested, in accordance with the entomologist’s motto Maxima in
minimis. And, as though to increase this prodigious contrast, it often
happens that the most remarkable instincts are allotted to the smallest
and most despised of insects:
Among the insects it is often the case that one well known to all
is a mere simpleton, while another, unknown, has real capacity.
Endowed with talents worthy of attention, it remains misunderstood;
rich in costume and imposing in deportment, it is familiar to us.
We judge it by its coat and its size, as we judge our neighbour by
the fineness of his clothes and the place which he occupies. The
rest does not count.
Certainly, in order to deserve historical honours, it is as well
that the insect should possess a popular reputation. It reassures
the reader, who is at once precisely informed; further, it shortens
the narrative, rids it of long and tedious descriptions. On the
other hand, if size facilitates observation, if grace of form and
brilliance of costume captivate the eye, we should do wrong not to
take this outward show into account.
But far more important are the habits, the ingenious operations,
which give entomological studies their serious attraction. Now it
will be found that among the insects the largest, the most
splendid, are usually inept creatures: a contradiction which is
reproduced elsewhere. What can we expect from a Carabas, all
glittering with metallic lights? Nothing but feasting in the slime
of murdered snail. What of the Cetonia, escaped, one would think,
from a jeweller’s show-case? Nothing but drowsing in the heart of a
rose. These splendid creatures do nothing; they have no art or
craft.
But, on the other hand, if we are seeking original inventions,
artistic masterpieces and ingenious contrivance, let us apply to
the humblest, more often than not unknown to all. And let us not be
repulsed by appearances. Ordure reserves for us beautiful and
curious things of which we should not find the like upon the rose.
So far the Minotaur has enlightened us by her family habits. Long
live modesty and littleness! [171]
Public-domain text, read in full here on John Shaqi.
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