The Life of Jesus Christ for the Young, Vol. 4: And His Life Depicted in a Gallery of Eighty Paintings — John Shaqi
The Life of Jesus Christ for the Young, Vol. 4: And His Life Depicted in a Gallery of Eighty PaintingsNewton, Richard
Religion
The Life of Jesus Christ for the Young, Vol. 4: And His Life Depicted in a Gallery of Eighty Paintings
Newton, Richard
Jesus Christ -- Art; Jesus Christ -- Biography -- Juvenile literature
Now just think what it is in which true glory consists. It is not in
wearing fine clothes. It is not in occupying high positions. It is not
in having people say fine and flattering things about us. No; but it is
in thinking, and feeling, and saying, and doing, and suffering that
which is right and according to the will of God. And _this_ is just the
position that Jesus was occupying during his trial. He was fulfilling the
will of God in things that were the hardest of all for him to do and to
suffer. And _that_ was what made him glorious.
If we were asked to point to that part of our Saviour’s life in which he
appears to us in the greatest glory, there would probably be considerable
difference of opinion among us. Some of us, no doubt, would point to
his transfiguration; some to the times when he walked upon the water,
or controlled the winds and the waves with his word; and others would
point to the times when he healed the sick, or raised the dead, and cast
out devils. But it was not so. No; but it was when he was betrayed and
forsaken—when he was condemned to death, and mocked, and insulted by his
enemies that Jesus appeared most glorious: for it was then that he was
showing, in the strongest possible light, his desire to do his Father’s
will and the greatness of his love for the people he came to save. It is
not clothing, but character that makes us great or glorious. And the more
we try to be like Jesus, in doing the will of God as he did it, in this
part of his life, the greater will be the glory belonging to us.
[Illustration: “Daughters of Jerusalem, Weep Not for Me”
And when they had mocked him, they took off the purple from him, and
put his own clothes on him, and led him out to crucify him.—And there
followed him a great company of people, and of women, which also
bewailed and lamented him. But Jesus turning unto them said, Daughters
of Jerusalem, weep not for me, but weep for yourselves, and for your
children. For, behold, the days are coming, in the which they shall say,
... to the mountains, Fall on us; and to the hills, Cover us. For if they
do these things in a green tree, what shall be done in the dry?—_St. Mark
xv: 20; St. Luke xxiii: 27-31._
_NOTE BY THE ARTIST_
_Needless to say, the route followed by the actual “Via Dolorosa” is lost
beyond recovery, its very direction being entirely dependent upon that
of Calvary, the site of which has for long been a matter of controversy.
In any case the veritable Path of Sorrow lies concealed beneath a mass
of débris, the ruins of the ancient city upon which modern Jerusalem is
built. The street in the painting does not form part of the traditional
route; it is the “Street of the Shoemakers,” a coincidence which recalls
the mediæval legend of “The Wandering Jew,” who, it may be remembered,
was a follower of this craft._
67]
Public-domain text, read in full here on John Shaqi.
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