'... It occurs to me that I can send you my Marienlieder and
Variations for four hands which arrived lately, and I enclose with
them some extracts from an Easter cantata of Schubert's which I
copied from the manuscript. They are not specially selected
portions of Lazarus. By no means; I merely wrote the beginning and
end of the first part. The music is as fine throughout; Simon's
aria--oh, if I could send you the whole, you would be enchanted
with such loveliness!...'
He decides to send in the same parcel, for Albert's inspection, the
string quintet which he had taken to Vienna to get quite to his liking.
The second Serenade was announced for the Philharmonic concert of March
8 as the opening number of the programme, to be followed by Joachim's
Hungarian Concerto, with Laub as solo violinist, and this by a new
symphony by M. Kässmeyer--an astonishingly progressive list, which was
due to Dessoff's influence and was approvingly remarked upon by Hanslick
in his review of the 11th of the month. Meanwhile difficulties presented
themselves.[8] The discontent of the members of the orchestra was
apparent during the first rehearsals of Brahms' work; complaints were
heard of the great difficulty of performing many of the passages, and at
the general rehearsal open mutiny broke out. The first clarinettist
suddenly rose, and, in the name of the body of instrumentalists,
declared their refusal to perform the composition. Dessoff, white with
agitation, instantly replied by laying down his bâton and announcing his
resignation of the post of conductor; Hellmesberger, as concertmeister,
followed suit, and the first flutist, Franz Doppler, a celebrated
performer, joined them. This decided matters. The malcontents gave way,
the rehearsal proceeded, and the performance on the 8th was so greatly
appreciated by the public that R. Hirsch, who made his début as Brahms'
critic in the _Wiener Zeitung_ in connexion with the occasion, and who
for many years systematically (and perhaps conscientiously) decried his
works, could find nothing worse to say than that the serenade would find
many friends amongst those able to content themselves with modest gifts.
'Brahms should be on his guard against excess of things. The
exorbitant applause raised by his friends had the effect of
procuring him very loud hisses from other parties.'
Public-domain text, read in full here on John Shaqi.
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