The summer of this year was again spent near Frau Schumann. Brahms took
lodgings--two small rooms well provided with windows--in Frau Becker's
house, which was situated a little apart from the village of Lichtenthal
in an idyllic spot amongst the hills. His plan of life, essentially the
same wherever he fixed his summer residence, was to rise with the dawn,
and, after making himself an early cup of coffee, to enjoy the fresh
delights of early morning by going for a long walk in the surrounding
forest. He then returned to work in his rooms until the time arrived
for his mid-day dinner, taken usually in the garden of the 'Golden
Lion'; for in these days he only dined occasionally, when accompanied by
a friend, at the somewhat more expensive 'Bear.' By four o'clock he was
generally in Frau Schumann's balcony for afternoon coffee and to pass an
hour with her in music, conversation, or walking. More often than not he
returned to supper at half-past seven, when his place was laid at table,
as a matter of course, at Frau Schumann's right hand.
All the circumstances of his surroundings were favourable to his
creative activity, which was unceasing, and the profound emotional
experience that had recently moved and enriched his spirit had already
caused in him the stirrings of the impulse that was to grow and
gradually to dominate him until it had become embodied in a work which,
had it been the only child of his genius known to the world, would have
sufficed to immortalize his name.
Before Brahms' departure from Lichtenthal a communication from Hamburg
added to his feelings of tenderness and regret the shadow of a grave
family apprehension.
Public-domain text, read in full here on John Shaqi.
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