The Life of John RuskinCollingwood, W. G. (William Gershom)
Philosophy
The Life of John Ruskin
Collingwood, W. G. (William Gershom)
Authors, English -- 19th century -- Biography; Ruskin, John, 1819-1900
This poem lasted him, for private writing, all through that journey--a
fit emblem of the broken life which it records. A healthier source of
distraction was his drawing, in which he had received a fresh impetus
from the exhibition of David Roberts' sketches in the East. More
delicate than Prout's work, entering into the detail of architectural
form more thoroughly, and yet suggesting chiaroscuro with broad washes
of quiet tone and touches of light, cleverly introduced--"that
marvellous _pop_ of light across the foreground," Harding said of the
picture of the Great Pyramid--these drawings were a mean between the
limited manner of Prout and the inimitable fulness of Turner Ruskin took
up the fine pencil and the broad brush, and, with that blessed habit of
industry which has helped so many a one through times of trial, made
sketch after sketch on the half-imperial board, finished just so far as
his strength and time allowed, as they passed from the Loire to the
mountains of Auvergne; and to the valley of the Rhone, and thence
slowly round the Riviera to Pisa and Florence and Rome.
He was not in a mood to sympathize readily with the enthusiasms of other
people. They expected him to be delighted with the scenery, the
buildings, the picture-galleries of Italy, and to forget himself in
admiration. He did admire Michelangelo; and he was interested in the
back-streets and slums of the cities. Something piquant was needed to
arouse him; the mild ecstasies of common connoisseurship hardly appeal
to a young man between life and death. He met the friends to whom he had
brought introductions--Mr. Joseph Severn, who had been Keats' companion,
and was afterwards to be the genial Consul at Rome, and the two Messrs.
Richmond, then studying art in the regular professional way; one of them
to become a celebrated portrait-painter, and the father of men of mark.
But his views on art were not theirs; he was already too independent and
outspoken in praise of his own heroes, and too sick in mind and body to
be patient and to learn.
They had not been a month in Rome before he took the fever. As soon as
he was recovered, they went still farther South, and loitered for a
couple of months in the neighbourhood of Naples, visiting the various
scenes of interest--Sorrento, Amalfi, Salerno. The adventures of this
journey are partly told in letters to Mr. Dale, and in the "Letters
addressed to a College Friend."
Public-domain text, read in full here on John Shaqi.
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